Page 409 - Uros Todorovic Byzantine Painting Contemporary Eyes

Index of Images
List of images of the third chapter:
1. The Birth of the Virgin. Fresco in the southeast chapel of the church of Saint Sofia at Mistra. (Photograph: Uroš Todorović.)
2. The Birth of the Virgin. Fresco (with a drawing demonstration on top of the photograph) in the southeast chapel of the church of Saint Sofia at Mistra. Author of the visual demonstration: Uroš T. Todorović.
3. Drawing demonstration related to the topic of inverse perspective. Author: Uroš T. Todorović.
4. Drawing demonstration with a deliberate exaggeration for the sake of clarity, related to the topic of inverse perspective. Author: Uroš T. Todorović.
5. Transfiguration, 1350–75, fresco, church of the Mother of God Perivleptos, Mistra, Greece.
6. Our visual demonstration: we have extracted the human figures from the 14th century composi- tion (fresco) of Transfiguration at Perivleptos in Mistra, Greece. Author of the visual demonstra- tion: Uroš T. Todorović.
7. Vasily Kandinsky, Several Circles, 1926, oil on canvas, 140.3 x 140.7 cm, New York, The Solomon R. Guggenheim Museum.
8. The Numbering at Bethlehem, 1418–1427, fresco, south wall inside the church of the Monastery of Kalenić, Serbia. (Photograph: Uroš T. Todorović.)
9. Our visual demonstration: while deliberately keeping the depiction of the curtain and of the architectural features, we have extracted the human figures from the 15th century composition (fresco) of The Numbering at Bethlehem in Kalenić, Serbia. Author of the visual demonstration: Uroš T. Todorović.
10. The Rothko Room, Phillips Collection, Washington, DC. Photograph source: Jacob Baal-Teshu- va, Rothko (Taschen, 2003).
11. Detail 1 of the composition (fresco) of Baptism at Perivleptos in Mistra, Greece; second half of the 14th century. Photograph source: Μανόλης Χατζηδάκης, Μυστράς: Η Μεσαιωνική Πολιτεία και το Κάστρο (Αθήνα: Εκδοτική Αθηνών, 2005).
12. Vasily Kandinsky, Sky Blue, 1940, oil on canvas, 100 x 73 cm, Paris, Musée National d’ Art Mod- erne. Photograph source: Ulrike Becks-Malorny, Kandinsky (Taschen, 2007).
13. Detail 2 of the composition (fresco) of Baptism at Perivleptos in Mistra, Greece; second half of the 14th century. Photograph source: Μανόλης Χατζηδάκης, Μυστράς: Η Μεσαιωνική Πολιτεία και το Κάστρο (Αθήνα: Εκδοτική Αθηνών, 2005).
14. Fresco compositions of Nativity (left) and Baptism (right) in the church of the Mother of God Perivleptos (1350–1370), Mistra, Greece. (Photograph: Uroš T. Todorović.)
15. Nativity, fresco, 1350–1370, in the church of the Mother of God Perivleptos, Mistra, Greece. (Photograph: Uroš T. Todorović.)
16. Prehistoric cave-painting, 15000–10000 BC, the Cave of Altamira, Spain. 407