Page 411 - Uros Todorovic Byzantine Painting Contemporary Eyes

Index of Images
18. Experiment, stage 5: Ink and egg tempera over image 15, 20 x 28 cm, Athens, private collection (2010).
19. Vasily Kandinsky, Composition V, 1911, oil on canvas, 190 x 275 cm, Switzerland, private collection.
20. Vasily Kandinsky, All Saints I, 1911, oil on card, 50 x 64.5 cm, Munich, Städtische Galerie im Len-
bachhaus.
21. Detail from the fresco of Resurrection at the chapel of the church of Chora in Constantinople, 14th century. (Photograph: Uroš Todorović, 2010.)
22. Vasily Kandinsky, Composition VI, 1913, oil on canvas, 195 x 300 cm, St. Petersburg, State Her- mitage Museum.
23. Vasily Kandinsky, Composition VII, 1913, oil on canvas, 200 x 300 cm, Moscow, State Tretyakov Gallery.
24. Photograph by Gabriele Münter: Kandinsky in his studio at 36 Ainmillerstraβe, Munich, 1913. (Photograph: Gabriele Münter and Johannes Eicher Foundation).
25. TheResurrection,fresco,1315–1320,intheconchoftheapseofthechapelofthechurchofChora in Constantinople. (Photograph: Uroš Todorović, 2010.)
26. A photograph of the connection between the composition of The Resurrection and the depiction of Archangel Michael, 1315–1320, at the chapel of the church of Chora in Constantinople. (Pho- tograph: Uroš Todorović, 2010.)
27. Experiment over a photograph of the connection between the composition of The Resurrection and the depiction of Archangel Michael at the chapel of the church of Chora in Constantinople; 20 x 28 cm, Athens, private collection. (Author of the experiment: Uroš Todorović, 2010.)
28. Experiment over a photograph of the connection between the composition of The Resurrection and the depiction of Archangel Michael at the chapel of the church of Chora in Constantinople; 20 x 28 cm, Athens, private collection. (Author of the experiment: Uroš Todorović, 2010.)
29. Experiment over a photograph of the connection between the composition of The Resurrection and the depiction of Archangel Michael at the chapel of the church of Chora in Constantinople; 20 x 28 cm, Athens, private collection. (Author of the experiment: Uroš Todorović, 2010.)
30. Experiment over a photograph of the connection between the composition of The Resurrection and the depiction of Archangel Michael at the chapel of the church of Chora in Constantinople; 20 x 28 cm, Athens, private collection. (Author of the experiment: Uroš Todorović, 2010.)
31. Vasily Kandinsky, Fixed Flight, 1932, oil on panel, 49 x 70 cm, Paris, Collection M. and Mme. Maegh.
32. Experiment over a photograph of the connection between the composition of The Resurrection and the depiction of Archangel Michael at the chapel of the church of Chora in Constantinople; 20 x 28 cm, Athens, private collection. (Author of the experiment: Uroš Todorović, 2010.) This experiment demonstrates how through the Byzantine experience Kandinsky’s work can relate to Rothko’s abstraction; the right side demonstrates how, when put on its side, the weather-af-
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