Page 413 - Uros Todorovic Byzantine Painting Contemporary Eyes

Index of Images
List of images of the fifth chapter:
1. Kazimir Malevich, The Triumph of Heaven (study for a fresco), 1907, tempera on cardboard, 72.5 x 70 cm, The State Russian Museum, St Petersburg, Russia.
2. The Shroud of the Virgin, 15th century Russian icon, 107 x 83 cm.
3. The Victory of Orthodoxy, 14th century Byzantine icon, British Museum, London.
4. Kazimir Malevich, The Knife Grinder: Principle of Flickering, 1913, oil on canvas, 79.5 x 79.5 cm, New Haven, Yale University Art Gallery.
5. Kazimir Malevich, Morning after the Storm, 1912–13, oil on canvas, 80 x 79.5 cm, New York, Sol- omon R. Guggenheim Museum.
6. Detail of the 13th century fresco of the Dormition of the Virgin in the church of the Monastery of Sopoćani, Serbia.
7. Kazimir Malevich, Woman with Pails: Dynamic Arrangement, 1912, oil on canvas, 80.3 x 80.3 cm, New York, Museum of Modern Art.
8. Kazimir Malevich, Self Portrait, c.1910, gouache on paper, 27 x 26.8 cm, Tretyakov Gallery, Moscow.
9. Detail of a late 13th century fresco (portrait of St John the Theologian) rendered by a painter known to us as ‘Manuel Panselinos’ at the church of Protaton, Mount Athos, Greece. (Photo- graph: Uroš Todorović.)
10. Kazimir Malevich, Woman Worker, 1933, oil on canvas, 71.2 x 59.8 cm, State Russian Museum, St Petersburg.
11. Virgin Hodigitria, late16th century Belorussian icon, 120 x 85 cm, National Museum of the Repub- lic of Belorussia.
12. Kazimir Malevich, Self Portrait, 1933, oil on canvas, 70 x 66 cm, State Russian Museum, Saint Petersburg.
13. Spiral Diagram, pencil on paper, 23 x 16 cm. Author: Uroš T. Todorović (2010). The diagram rep- resents Malevich’s Late Byzantine experience by interconnecting four particular points of art history: Malevich’s Self Portrait (c.1910), Christ the Pantokrator at Daphni (c.1080), the tradition- al iconographical theme of the Virgin Hodigitria – common to the period of Late Byzantine art, and Malevich’s Black Square (1915).
14. Detail from the 14th century fresco of the Second Coming, at the chapel of the church of Chora in Constantinople: The angel of the eschaton is depicted to be both unfolding and rolling up the scroll of time.
15. Kazimir Malevich, Magnetic Construction, 1916, oil on canvas, 49 x 44 cm, Wilhelm Hack Muse- um, Ludwigshafen.
16. KazimirMalevich,SuprematistComposition,1915,oiloncanvas,80x70.5cm,StedelijkMuseum, Amsterdam.
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