Page 414 - Uros Todorovic Byzantine Painting Contemporary Eyes

Byzantine Painting through Contemporary Eyes
17. Kazimir Malevich, Suprematist Composition: Airplane Flying, 1915 (dated on reverse 1914), oil on canvas, 57.3 x 48.3 cm, The Museum of Modern Art, New York.
18. Kazimir Malevich, Magnetic Composition, motif: 1916–1917, version: 1929, oil on plywood, 71.1 x 44.8 cm, The State Russian Museum, St. Petersburg.
19. Kazimir Malevich, Composition of Combined Suprematist Elements Expressing the Sensation of Metallic Sounds – Dynamic (Pale, Metallic Colours), c.1920, pencil on paper, 20.9 x 16.4 cm, Of- fentliche Kunstmuseum, Basel.
20. Kazimir Malevich, Dynamic Suprematism, Supremus No. 57, 1916, oil on canvas, 80 x 80 cm, Tate Gallery, London.
21. Kazimir Malevich, Supremus No. 56, 1916, oil on canvas, 80.5 x 71 cm, The State Russian Museum, St. Petersburg.
22. Kazimir Malevich, Women Bathers, c.1930 (antedated to 1908), oil on canvas, 59 x 48 cm, The State Russian Museum, St. Petersburg.
23. Kazimir Malevich, Suprematist Composition: White on White, 1918, oil on canvas, 78.7 x 78.7 cm, The Museum of Modern Art, New York.
24. Kazimir Malevich, Spheric Evolution of a Plane, 1917–1918, oil on canvas, 96.5 x 74.5 cm, private collection.
25. KazimirMalevich,DissolutionofConstruction,1918,oiloncanvas,97x70cm,StedelijkMuseum, Amsterdam.
26. Kazimir Malevich, Black Square, 1915, oil on canvas, 79.9 x 79.9 cm, The State Tretyakov Gallery, Moscow.
27. Photographof0.10-TheLastExhibitionofFuturistPainting,attheGalleryNadezdhaDobychina, Saint Petersburg (opening date: 30 December 1915).
28. Kazimir Malevich, Black Circle, 1915, oil on canvas, 79 x 79 cm, private collection.
29. Russian icon of The Not-made-by-hands Savior, late 14th century, 131.5 x 113 cm, Moscow.
30. Experiment: the face of Christ from the 14th century icon of The Not-made-by-hands Savior is placed over Malevich’s work entitled Black Circle (1915).
31. Experiment: the segment (eyes) from the 14th century depiction of Christ’s face (icon: The Not- made-by-hands Savior) is placed over Malevich’s work entitled Black Circle (1915).
32. Experiment: the segment (mouth) from the 14th century depiction of Christ’s face (icon: The Not- made-by-hands Savior) is placed over Malevich’s work entitled Black Circle (1915).
412