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 Orchard of Delights    #                                                    Beshalach
 #
 of the unusually large letter beit found in traditional Torah scrolls as   entire people. Targum Yonatan, in commenting on the first verse of
 the Torah’s opening letter, particularly, how all creation is contained   King Solomon’s Song of Songs, enumerates them. Of the nine songs
 within it. (See the letter beit in The Hebrew Letters by Rabbi Yitzchak   only two of them were sung by the entire nation of Israel: the Song
 Ginsburgh for an in-depth understanding.)  of the Sea, sung at the beginning of the people’s sojourn in the desert,
            and the Song of the Well, sung at the end of the sojourn. (See The
 Having  traced  the  contraction  process  in  the  first  day,  verse,
 letters, and letter of the creation story, we now turn our attention to   Mystical Power of Music, pp. 32-37, for more on the ten archetypal
 parallel contractive dynamics in the Ten Commandments. Firstly,   songs.)
 as already mentioned in “The Ten Divine Utterances of Creation,”   After the people of Israel sang their song, the Torah states: “And
 there are 620 letters in the Ten Commandments and there are 620   Miriam, the prophetess, the sister of Aaron, took a timbrel in her
 commandments in total (613 actually mandated by the Torah and   hand, and all the  women went out after her  with timbrels and
 seven rabbinic mitzvot that the Rabbis endow with the status of   dances” (Exodus 15:20). Noting the fact that Miriam is referred to as
 Torah mitzvot). Thus, the entire Torah, as it were, is contracted into   a prophetess in this text, the commentators explain that Miriam had
 the Ten Commandments. For this reason we refer to the day the   foreseen the miraculous salvation at the sea; this was why she had
 Ten Commandments was given as the day on which the Torah was   brought timbrels to accompany the singing and dancing.
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 Secondly, since the Ten Commandments, like the rest of  the   Jewish history music has been deemed one of the ways to enter a
 Torah, is comprised of both positive commandments and negative   prophetic state. An important  source for  the intimate connection
 prohibitions, tradition teaches  that all the  mitzvot in the Torah   between music and prophecy is the Mishnah’s description of Simchat
 are condensed into the first two of the Ten Commandments. All the   Beit Hasho’evah, the water drawing ceremony, which took place in
 positive commandments are encapsulated in the belief in one God, the   the Temple every Succot. The Mishnah relates how joyous music and
 first of the Ten Commandments, and all the prohibitions in the Torah   song filled the air as water was festively drawn each day from a spring in
 are rooted in the second of the commandments: “not [to] have any   Jerusalem and brought in a great procession to the Temple altar over
 other gods before Him” (Exodus 20:3). This tradition gains support   which it was poured the following morning. This libation symbolized
 from another tradition that stresses the uniqueness of the first two   the people’s prayer for rain and sustenance. Throughout the evening,
 commandments: the people heard only the first two commandments   the generation’s most illustrious sages would lead the people in joyous
 directly from God. The Midrash teaches that the people, petrified by   singing and dancing — praising God to the accompaniment of the
 God’s awesome revelation, asked that the other eight be transmitted   Levites who played on instruments too numerous to count. Summing
 to them by Moses (Mechilta).  up the incredible joy at this celebration, the Talmud states, “Anyone
            who has not seen Simchat Beit Hasho’evah has never really seen
 Thirdly,  the  second  commandment,  prohibiting the  worship  of
 any other gods, is obviously predicated on the first commandment   true joy” (Sukkah 5:1). Although on a peshat level, clearly only water
 commanding belief in one God. Based on the second act of   was drawn, the words “Simchat Beit Hasho’evah” mean, literally,
 condensation mentioned above, not only are all the positive   “The Joy of the House of Drawing.” What was actually drawn goes
 commandments encapsulated in the first one, in a certain sense so   unmentioned. Responding to their own rhetorical question – what
 are all the  negative prohibitions. Since the prohibitions serve as   then were they drawing if not water? – the Sages explain that the
 stepping-stones to building a positive relationship with God, other   spirit  of  prophecy  was  being  drawn  and  recount  that  Jonah  first
 human beings, and the world, from a certain perspective, they can   received prophecy at one of these evenings.


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