Page 127 - 1982 Wardlaw Hartridge

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1. Joe Rempson, John Manabat, and Kathy Haykal search for a negative.
2. Sue Ford and Steve Botlagudur examine the workings of a camera.
3. Mike Medici forcues on a print. 4. Howard Guss attempts to process a tie.
Deep in the W ardlaw-Hartridge basement, behind locked doors, with a dim red light glowing and ozone waft­ ing through the air, looms the dark­ room. Shadowy figures lurk in its depths, forming images esoteric and arcane. It is here that innocent young students are initiated into the m ysteries of printing, processing, and the photo­ graphic eye. They are led through this tangled web by seniors adept at con­
juring pictures from blank papers. Howard Guss and Mike Medici direct the novices in the mystic arts of devel­ oping and printing, while John M ana- bat and Kathy Haykal help in capturing the fleeting im ages. Their w ork emerges from the darkness to be mar­ veled at on the pages of the Beacon
a n d
in
Tempora
et Mores.
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