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fight in “Enter the Dragon”: amazing execution and spontaneity. When you perform it is high-
ly critical that you distinguish what you know as the performer such as the dialogue and the
choreographer and what you know as the character in the piece. If both character and per-
former both know all the lines and the choreography it look bad and lack reality and spon-
taneity. Well I hope this enlightened you a bit and gave you some insight into screen action
which truly is “The Art of fighting without Fighting” . See you in the movies.
About the author:
Art Camacho is a world renowned, award winning Feature film Director/Fight choreographer
and Black belt martial artist. He has trained under Eric Lee, Samuel Kwok, Richard Bustillo
and many, many others. His films include Half past dead; Assassin X, Confessions of a pit
fighter and he’s worked with Steven Seagal, Dolph Lundgren, Don Wilson, Cynthia Rothrock,
Olivier Gruner, Richard Norton, Benny Urquidez, Gary Daniels, Armand Assante, Randy Cou-
ture, Quentin “Rampage” Jackson, Ice T, Ja Rule, and many others.
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