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88       MESA FOLK OP HOPILAND

             and pieces of cottonwood suffice the Hopi for the con
            struction of flowers and complicated parts of the decor
             ation of dolls and masks or other ceremonial belong
             ings.  Corn husks, dyed horsehair, woolen yarn, deer
             skin, cotton cloth, twigs, basketry, and feathers are
             worked in and the result, though crude, is effective.
               But in the realm of mechanical apparatus the Hopi
             is even ahead of the toy makers of the Schwartzwald.
             For the Palulukong ceremony he arranges startling
             effects, causing the Great Plumed Snake to emerge
             through screens, out of jars, or from the ceiling of
             the kiva, to the number of nine appearances, each
             requiring artful devices.  The head of the Snake is a
             gourd furnished with eyes, having the mouth cut into
             sharp teeth, a long tongue, a plume, and the whole
             surface painted. The body is made up of wooden
             hoops over which cords run and is covered with cloth.
             Often two of these grotesque monsters are caused, by
             the pulling of cords, to advance and withdraw through
             flaps in the screen and to struggle against each other
             with striking realism. Nothing in Hopiland is more
             remarkable than this drama, as one may gather from
             Dr. Fewkes' account of it given at another place.
               Little of the Hopi's skill as a carver and decorator
             goes to the furnishing or building of the house ; almost
             all is taken up with ceremonial matters. Previous to
             a few years ago chairs were unknown, as was any
             other domestic joinery, except the Hopi head masks,
             prayer-sticks and the thousand objects used in his
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