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PANORAMIC                                       464  Arriflex 16ST outfit               € 1.500 – 2.000
                                                                                                          € 800
                                                                   no. 16665, 1950’s, condition A–
             CAMERAS                                         Complete outfit in almost mint condition with 5 matching lenses:
                                                             Cinegon 1.8/10 mm no. 11262256 (cap), Cinegon 1.4/16 mm
                                                             no. 11228963 8cap), Cine-Xenon 1.4/25 mm no. 11332167, Cine-
                                                             Xenon 2/50 mm no. 11200014 (caps), Vario-Sonnar 2.8/10 –100 mm
                                                             no. 5300656 (caps), various caps, shoulder tripod, compendium,
                                                             AC unit, instructions and papers, all in fitted metal carrying case

                                                             465  Askania Z                               € 500
                                                                   c. 1940, condition B              € 1.000 – 1.200
        460  Alpa Rotocamera 6070                  € 1.600
             c. 1980, condition A/B             € 3.000 – 3.500  Classic 35 mm motion picture camera in very fine condition, working
                                                             transport and shutter mechanism, with Sonnar 2/4 cm no. 2692370
        For 360° exposures (6 × 47.5 cm) on 120, 220 and 70 mm film, in very   and CTM Paris tripod
        good condition, Rodenstock Grandagon 6.8/75 mm MC no. 1034782,
        hood, with power pack, quick charger and original case
                                                             466  Cinematograph (E.F. Moy Ltd,            € 600
                                                                   London) Motion Picture Camera
        461  Taiyokoki Viscawide 16                 € 200
                                                                   no. 29, c. 1910, condition B      € 1.200 – 1.400
             no. 67955, 1961, condition A–         € 400 – 500
                                                             Early 35 mm motion picture camera, unmarked (most probably made
        Subminiature panoramic camera for 120° exposures on 16 mm film,   by E.F. Moy Ltd, London), in very fine condition, working mechanism,
        in mint condition, complete set with case, maker’s box, strap and   turret with 4 lenses: Tessar 3.5/35 mm no. 123259, Tessar 3.5/5 cm
        instructions                                         no. 280276, Tessar 3.5/7.5 cm no. 540853, Heliar 4.5/12 cm
                                                             no. 172169, serial number 29 stamped on many parts inside, with
                                                             one wooden magazine
        462  Globus Brothers Co. Globuscope  € 1.200
             no. 32, 1981, condition A/B        € 2.400 – 2.600
                                                             467  Debrie Parvo G                        € 1.600
        360° panoramic camera for 35 mm film, rare example from the first      “Leni Riefenstahl”
        100 cameras in slightly different design to the later examples, in near   no. 2541, c. 1930, condition C/B   € 3.000 – 3.500
        mint condition and perfect working order, with two additional shutter
        blades for different exposure times, wire release and wooden maker’s   This 35 mm movie camera formerly belonged to Otto Wlk, an
        box                                                  Austrian engineer who started as a cameraman for Ufa and later
                                                             became the technical director of the “Wien-Film” film production
                                                             company. In his Ufa years Wlk also worked at the 1936 Olympic
                                                             games and covered the sport events for Leni Riefenstahl’s famous
                                                             Olympia documentaries “Fest der Völker” and “Fest der Schönheit”
                                                             with his camera. Although both films set new standards in terms
                                                             of cinematography, they are considered to be masterworks of Nazi
                                                             propaganda and are still restricted for public screening in Germany
                                                             and Austria. The camera on offer has never been restored and is in
             CINE                                            the original used condition. It comes “ready to shoot” with an optical
                                                             view finder, a hand crank, two matte boxes, electric vario-speed
                                                             motor, 2 × 60 m magazines and a set of lenses: Zeiss Tessar 6.3/18 cm
             EQUIPMENT                                       no. 808004, Zeiss Tessar 3.5/10 cm no. 429997, Zeiss Tessar
                                                             3.5/7.5 cm no. 540418, Zeiss Tessar 2.7/4 cm no. 903220, Zeiss Triotar
                                                             3.5/3.5 cm no. 641558, E.Krauss Tessar 4.5/2.8 cm no. 149625. The
                                                             camera runs smoothly when hand cranked, the electric motor is not
                                                             tested.





        463  Arriflex 35 ‘German Army’             € 1.000
             no. 915, c. 1940, condition C+     € 2.000 – 2.400
        Arriflex 35 in the original olive Wehrmacht outfit box, including the
        matte box and 4 × 60 m magazines. The camera has never been
        restored and is in original used condition, its shows all the early
        features like the square matte box holder and the film gate made
        of Pertinax (an early synthetic material). It seems that the set was
        prepared for the rough field service since it is marked inside the tap
        door: “Kamera und zugehörige Kassetten sind kältefest bis –50° C,
        daher keinesfalls schmieren!” (The camera and its magazines are
        cold-resistant up to –50° C — do not use grease!). The original motor
        is substituted by a later model. Also included is a rare ARRI Bakelite
        bayonet cover.


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