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                                                                                     PEOPLE & ARTS Thursday 3 OcTOber 2019
            Artist Kehinde Wiley on what we can do with offensive art



            By MARK KENNEDY              Press about his thoughts on
            AP Entertainment Writer      Confederate  monuments,
            NEW  YORK  (AP)  —  As  the  if  he’s  become  more  po-
            nation debates what to do  litical  and  where  he  goes
            with Old South monuments,  from here.
            one artist has a solution. Ke-  Q: There are many people
            hinde Wiley wants more art.  who    think   Confederate
            Wiley, who was tapped to  monuments  like  the  ones
            paint  Barack  Obama  for  in Virginia should be ripped
            the  National  Portrait  Gal-  down.  You're  offering  an-
            lery,  thinks  monuments  to  other alternative _ more art.
            Confederate  figures  need  Should art answer art?
            to be placed in their social  A: I believe that when deal-
            context, not torn down.      ing  with  a  troubled  past
            The  artist  was  in  Times  and  arguably  a  beautiful
            Square last week to offer his  future,  artists  should  use
            latest  corrective,  unveiling  every  tool  in  their  wheel-
            a massive bronze statue of  house. What I try to do is I
            a young African American  say  yes  to  certain  aspects
            man  in  urban  streetwear  of  history.  And  I  say  no  to
            sitting  astride  a  galloping  others.  What  we're  saying
            horse.  Called  "Rumors  of  yes  to  here  is  monumen-
            War," the eight-ton, 29-foot-  tally, romanticism, the love
            high  work  mimics  a  statue  of sculpture, the love affair
            in Richmond, Virginia, of a  with the body. This is some-  Visual artist Kehinde Wiley, best known for his portrayals of contemporary African-American and
                                                                      African-Diasporic individuals, appears at the unveiling his first monumental public sculpture "Ru-
            Confederate  general  and  thing that I think is beautiful,   mors of War," an equestrian portraiture of warfare and heroism, Friday Sept. 27, 2019, in New York.
            will be moved there at the  but  I  don't  want  to  neces-                                                                     Associated Press
            end of the year.             sarily  use  the  negative  as-
            Wiley is known for his regal  pects  of  America's  history  more  political  or  socially  you're looking at is us. In full  used  wallpaper  and  tap-
            portraits of minorities, which  as a means through which  active with your work?       measure.                     estries  to  show  privilege.
            reclaim a privilege long re-  you  view  this  work.  I  think  A: It's so interesting. So many  Q:  You  keep  growing,  go-  In  sculpture,  you  can’t.
            served for white aristocrats.  promise is the leading edge  people  have  been  won-   ing from paintings of young  How have you adjusted to
            He  has  explained  that  his  of this work.              dering what Kehinde Wiley  men  to  ones  of  women,  three-dimensional works?
            work  is  a  remedy  for  the  Q: Do you think the Confed-  would be making after the  from  Americans  to  people  A: What I do in my own work
            historical invisibility of black  erate  monuments  should  Obama  portrait.  This  is  my  in Indian and Brazil. Where  here with regards to sculp-
            men and women.               be taken down? If you do,  first shot out of the cannon  do you want to go?            ture  is  to  allow  the  city  to
            One  recent  exhibition  de-  as  an  artist,  does  that  put  in America and it's no more  A:  There  is  no  limit.  There's  be the backdrop, to allow
            picts 15 African Americans  you in a strange position?    political than anything I've  no limit to the creative pos-  a  moving  and  constantly
            from  Ferguson,  Missouri,  A:  I’ve  never  personally  ever done. What I deal with  sibility  of  young  people.  changing  America  to  be
            and  its  neighboring  com-  asked for any art to be tak-  is history. I deal with Europe  There's no limit to the place  the  context  in  which  we
            munities,  dressed  in  their  en down. I actually believe  and America and colonial-  in which hip-hop has found  see this young man riding a
            own clothes but posed like  that all art should be seen  ism and empire and I try to  itself  in  the  bedrooms  of  massive horse in the middle
            subjects in a classical paint-  within  its  own  social  con-  find  new  ways  of  digest-  young dreamers who want  of Times Square, soon to be
            ing.  It  is  the  artist’s  memo-  text.                 ing  that  content,  trying  to  to figure out how they can  in  the  middle  of  Virginia.
            rial to Mike Brown, a young  There  must  be  a  museum  find  new  ways  of  looking  tell their stories. As long as I  How  does  that  hack  the
            man  shot  to  death  by  po-  for  all  of  the  terrible  ideas  at  ourselves  anew.  It's  not  have  breath  in  my  life,  I'm  mind of the young viewer?
            lice.                        that  exist  in  the  world.  The  about  blackness.  It's  not  going  to  dedicate  myself  How  does  that  hack  the
            In  the  shadow  of  his  mas-  only  thing  that  battles  a  about whiteness. It's about  to tear up telling those sto-  mind  of  the  artist  who's
            sive Times Square addition,  bad idea is a better idea.   the  co-evolution  of  societ-  ries.                     thinking  about  what  they
            Wiley  told  The  Associated  Q:  Are  you  getting  any  ies  and  culture  and  what  Q:  In  your  paintings,  you  want to do in their work?q

            Garth Brooks to receive


            Gershwin Prize for Popular Song



            By KRISTIN M. HALL           Brooks  is  a  member  of  the  off,  for  any  musician,  the
            NASHVILLE,  Tenn.  (AP)  —  Country Music Hall of Fame.  name  Gershwin  says  it  all.
            Country  music  superstar  His  hits  include  “Friends  in  Add to Ira’s and George’s
            Garth Brooks has more than  Low Places,” “The Thunder  names  the  names  of  the
            just  friends  in  low  places.  Rolls” and “The Dance.”  past  recipients  and  you
            The Library of Congress said  At 57, he’ll be the youngest  have an award of the high-
            Wednesday  the  Grammy  recipient  of  the  Gershwin  est  honor.  I  am  truly  hum-
            winner  will  receive  the  Li-  Prize.  He  will  be  honored  bled.”
            brary of Congress Gershwin  with an all-star tribute con-  Since  his  debut  in  1989,   This Nov. 8, 2017 file photo shows Garth Brooks at the 51st annual
            Prize  for  Popular  Song  in  cert  in  Washington,  D.C.,  Brooks has become a top-  CMA Awards in Nashville, Tenn.
            March 2020.                  that will air on PBS stations  selling and touring musical
            Previous  recipients  include  in spring 2020.            force, bringing his brand of  He  is  the  best-selling  solo  to  the  Recording  Industry
            Tony  Bennett,  Paul  Simon,  “An award is only as good  high energy and emotional  artist  in  the  United  States  Association  of  America,
            Carole King and Willie Nel-  as the names on it,” Brooks  country  music  to  stadiums  with  more  than  148  million  and is second only in total
            son.                         said  in  a  statement.  “First  and arenas.              in  album  sales,  according  U.S. sales to The Beatles.q
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