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                                                                                     PEOPLE & ARTS Tuesday 25 april 2017
                Sex, lies and physics: ‘Genius’ drama is Einstein tell-all



            LYNN ELBER                   ditional  and  academic  phone  from  Australia.  As
             AP Television Writer        way,”  Howard  said.  “We  he  delved  further  into  Ein-
            LOS  ANGELES  (AP)  —  The   were  looking  for  the  dra-  stein’s life, Rush was struck
            unparalleled brilliance and   ma in the story and willing  by his many sides and the
            puckish  wit?  Check.  The   to deal with Einstein, warts  fame he achieved for work
            trademark  wild  mop  of     and  all.”  “Genius”  hop-   unknowable by many.
            hair?  Check.  The  marital   scotches through time as it  “He  experienced  a  level
            infidelity  and  free-wheel-  follows Einstein flailing as an  of  global  celebrity  equal
            ing sex? Yes, check again    unconventional     student;  to  that  of  his  contempo-
            for  Albert  Einstein,  who  in   a  young  lover  and  imper-  rary, Charlie Chaplin,” Rush
            National     Geographic’s    fect  husband  and  parent;  said.  But  while  Chaplin’s
            miniseries  “Genius”  comes   a  Jew  clashing  with  the  Little  Tramp  film  character
            across  as  a  full-blooded,   German  scientific  estab-  had an everyman appeal,
            hot-blooded  figure  who     lishment,  and  as  the  con-  Einstein “managed that by
            lived by his own rules, both   flicted  father  of  the  atom-  coming  up  with  theories
            scientific and domestic.     ic  age.  Rush  said  he  was  that  99.9  percent  of  the   In this image released by National Geographic, Geoffrey Rush
            The  10-part  series,  starring   more  familiar  with  aspects  world had no idea what he   stars portrays Albert Einstein and Emily Watson portrays Elsa Ein-
            Oscar-winning     Geoffrey   of  Einstein’s  world-chang-  was talking about.”         stein in “Genius,” premiering April 25.
            Rush  (“Shine”)  as  the  ma-  ing theory of relativity than  Not  all  were  fans.  Einstein                                   Associated Press
            ture  physicist  and  Johnny   with the man himself, a dis-  was  seen  as  a  threat  by,   ruled by Adolf Hitler.  lar  agenda  by  narrowing
            Flynn  (“Lovesick”)  as  the   tant  figure  often  reduced  among  others,  fellow  Ger-  There are parallels with to-  your focus, as opposed to
            budding  one,  also  places   to  a  beaming,  wild-haired  man scientists who derided   day’s clashes over climate  broadening it, by doubting
            Einstein  firmly  in  a  20th-  figure with brains.       his work as a sign of foreign   change and other science,  innovation and trying to rig-
            century world engulfed by    “We  all  know  the  look  of  influence  and  “devoid”  of   Howard  said.  “This  sort  of  idly  hang  on  to  accepted
            political chaos and war.     Einstein  —  it  should  be  reality in the changing po-  tactic of trying to galvanize  ideas, there’s nothing new
            “Genius” (debuting 9 p.m.    an  emoji,”  Rush  said  by  litical order destined to be   support  around  a  particu-  in that,” he said. q
            EDT  Tuesday)  is  both  en-
            tertaining  and  intelligent,
            as  befits  a  drama  that’s
            based  on  Walter  Isaac-
            son’s  acclaimed  2007  bi-
            ography,  “Einstein:  His  Life
            and  Universe,”  and  is  the
            Nat  Geo  channel’s  first
            scripted  series.  Also  credit
            Ron Howard, who brought
            another  complex  scientist
            to the screen in “A Beauti-
            ful  Mind,”  the  2001  Acad-
            emy  Award-winning  film
            about troubled mathema-
            tician  John  Nash.  There
            are some “Mind”-type cin-
            ematic  flourishes  in  “Ge-
            nius,” restrained special ef-
            fects that provide a visual
            sense  of  Einstein’s  thinking
            and  the  universe  as  he
            sees  it  and  helpful  for  the
            science-challenged.
            But  the  series  opens  with
            Rush’s Einstein and a young
            woman in the throes of pas-
            sion  (intercut,  unnervingly,
            with  an  assassination  that
            foretells  of  the  upheaval
            ahead  for  him  and  the
            world). It was a deliberate
            choice, said Howard, who
            directed episode one and
            is among the series’ execu-
            tive producers that include
            Brian  Grazer,  his  longtime
            creative partner, and Gigi
            Pritzer. Noah Pink and Ken
            Biller are the screenwriters.
            “Not only did it (the scene)
            appeal to us dramatically,
            but it also fulfilled the desire
            to announce to audiences
            right away that we weren’t
            approaching  it  in  an  en-
            tirely  straight-forward,  tra-
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