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The funeral rites of many nations bear a striking resemblance to the initiatory ceremonies
                   of their Mysteries.

                   Ra, the god of the sun, had three important aspects. As the Creator of the universe he was
                   symbolized by the head of a scarab and was called Khepera, which signified the
                   resurrection of the soul and a new life at the end of the mortal span. The mummy cases of
                   the Egyptian dead were nearly always ornamented with scarabs. Usually one of these
                   beetles, with outspread wings, was painted on the mummy case directly over the breast of
                   the dead. The finding of such great numbers of small stone scarabs indicates that they
                   were a favorite article of adornment among the Egyptians. Because of its relationship to
                   the sun, the scarab symbolized the divine part of man's nature. The fact that its beautiful
                   wings were concealed under its glossy shell typified the winged soul of man hidden
                   within its earthly sheath. The Egyptian soldiers were given the scarab as their special
                   symbol because the ancients believed that these creatures were all of the male sex and
                   consequently appropriate emblems of virility, strength, and courage.


                   Plutarch noted the fact that the scarab rolled its peculiar ball of dung backwards, while
                   the insect itself faced the opposite direction. This made it an especially fitting symbol for
                   the sun, because this orb (according to Egyptian astronomy) was rolling from west to
                   east, although apparently moving in the opposite direction. An Egyptian allegory states
                   that the sunrise is caused by the scarab unfolding







                                                         Click to enlarge
                                                       THE MANTICHORA.

                                                                               From Redgrove's Bygone Beliefs.

                   The most remarkable of allegorical creatures was the mantichora, which Ctesias describes as having
                   aflame-colored body, lionlike in shape, three rows of teeth, a human head and ears, blue eyes, a tail ending
                   in a series of spikes and stings, thorny and scorpionlike, and a voice which sounded like the blare of
                   trumpets. This synthetic quadruped ambled into mediæval works on natural history, but, though seriously
                   considered, had never been seen, because it inhabited inaccessible regions and consequently was difficult to
                   locate.








                                                         Click to enlarge
                                                    ROYAL EGYPTIAN SCARAB.

                                 From Hall's Catalogue of Egyptian Scarabs, Etc., in the British Museum.

                   The flat under side of a scarab usually bears an inscription relating to the dynasty during which it was cut.
                   These scarabs were sometimes used as seals. Some were cut from ordinary or precious stones; others were
                   made of clay, baked and glazed. Occasionally the stone scarabs were also glazed. The majority of the small
                   scarabs are pierced as though originally used as beads. Some are so hard that they will cut glass. In the
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