Page 96 - BLACK SKIN, WHITE MASK
P. 96

THE MAN OF COLOR AND THE WHITE WOMAN  57



                                    Jean Veneuse does not, however, lead a life devoid of
                                  compensations. He fl irts with art. His reading list is impressive,
                                  his essay on Suarès is quite perceptive. That too is analyzed by
                                  Germaine Guex: “Imprisoned in himself, locked into his artifi cial
                                  reserve, the negative-aggressive feeds his feeling of irreparable loss
                                  with everything that he continues to lose or that his passivity makes
                                  him lack. . . . Therefore, with the exception of such privileged
                                  sectors as his intellectual life or his profession,  he cherishes a
                                                                           28
                                  deep-seated feeling of worthlessness.” 29
                                    Where does this analysis lead us? To nothing short of proving
                                  to Jean Veneuse that in fact he is not like the rest. Making people
                                  ashamed of their existence, Jean-Paul Sartre said. Yes: teaching
                                  them to become aware of the potentials they have forbidden
                                  themselves, of the passivity they have paraded in just those
                                  situations in which what is needed is to hold oneself, like a sliver,
                                  to the heart of the world, to interrupt if necessary the rhythm of
                                  the world, to upset, if necessary, the chain of command, but in
                                  any case, and most assuredly, to stand up to the world.
                                    Jean Veneuse is the crusader of the inner life. When he sees
                                  Andrée again, when he is face to face with this woman whom he
                                  has wanted for months and months, he takes refuge in silence,
                                  the eloquent silence of those who “know the artifi ciality of words
                                  and acts.”
                                    Jean Veneuse is a neurotic, and his color is only an attempt to
                                  explain his psychic structure. If this objective difference had not
                                  existed, he would have manufactured it out of nothing.
                                    Jean Veneuse is one of those intellectuals who try to take a
                                  position solely on the level of ideas. Incapable of realizing any
                                  concrete contact with his fellow man. Is he treated decently, kindly,
                                  humanly? Only because he has stumbled on some servant secrets.
                                  He “knows those people,” and he is on guard against them. “My
                                  vigilance, if one can call it that, is a safety-catch. Politely and
                                  artlessly I welcome the advances that are made to me. I accept
                                  and repay the drinks that are bought for me, I take part in the
                                  little social games that are played on deck, but I do not allow
                                  28. My italics—F.F.
                                  29. Guex, op. cit., p. 44.








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