Page 5 - Brugger Karl The chronicle of Akakor
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The Chronicle of Akakor

















































                                     Karl Brugger is a German journalist who lives in Brazil



           INTRODUCTION

           Amazonia begins in Santa Maria de Belém, 120 kilometers from the shores of the Atlantic. In 1616,
           when 200 Portuguese under the leadership of Francisco Castello Branco took possession of this territory
           in the name of His Majesty, the King of Portugal and Spain, their chronicler described it as a friendly
           and inviting piece of land with giant trees. Nowadays, Belém is a large city with skyscrapers, traffic
           jams, and a population of 633,000. It is the point of departure for white civilization in its conquest of
           Amazonia’s virgin forests. But throughout 400 years, the city has managed to preserve traces of its
           heroic and mystic past. Dilapidated palaces in colonial style and tiled houses with enormous iron portals
           bear witness to the notorious era when the discovery of the vulcanization process for rubber had raised
           Belém to the level of a European metropolis. The two-story market at the port also dates from this
           period, and just about everything can be bought here: fish from the Amazon River or the ocean;
           sweet-smelling tropical fruit; medicinal herbs, roots, bulbs, and flowers; crocodile teeth, which are
           thought to have aphrodisiac properties, and rosaries made of terra cotta.

           Santa Maria de Belém is a city of contrasts. Noisy business streets in the center, but the jungle world of
           Marajó Island, once upon a time settled by one of the great civilized populations that tried to conquer
           Amazonia, is a mere two-hour journey upriver, on the opposite bank. According to traditional history,
           the Marajoaras reached the island around A.D. 1100, when their civilization was at its height, but by the
           time the European explorers arrived, the people had already vanished. All that remains are beautiful
           ceramics, stylized figures clearly expressing grief, joy, dreams. They seem to tell a story, but what is it?




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