Page 45 - Sorrow of the Earth: Buffalo Bill, Sitting Bull and the Tragedy of Show Business
P. 45

sluiced out its stall. Then he’d go back up on deck and look at the sea. He

                 sensed  a  strange  violence  beneath  its  gentle  surface,  beneath  the  sparkling
                 shapes which the ship broke open before crashing into the foam. He loved the
                 silver waves, but also the long silences, the dead sun. The seagulls perched on
                 the masts, little spots of white. One night, the storm was so harsh, the sea so
                 wild, that he began to feel afraid. At times, he felt he was dissolving into the
                 sky.







                 AS  SOON  AS  HE  ARRIVED back in Europe, the performances of the Wild West
                 Show started up again. He added two new acts. In the first91, you can see a
                 group of Indians in the middle of the arena. The spectators have hired opera
                 glasses  for  a  few  coins,  and  they  look.  No  one  knows  yet  what’s  going  to

                 happen. The crowd is impatient and jostles with curiosity. Behind the warriors
                 you can make out a sort of cabin and there’s an older Indian standing in the
                 doorway. He’s a chieftain, which you can tell from his crown of feathers.
                     Suddenly, Buffalo Bill enters the arena. He does one circuit on horseback
                 and bows. The applause rings out. Women stand up on their seats amid the
                 smell  of  creosote  and  horse  droppings.  The  presenter  then  announces  an
                 extraordinary episode: “The death of Sitting Bull with his real horse and his

                 real cabin, retrieved by Buffalo Bill himself.” So that’s what it was! Nothing
                 can stop the demon of performance. Nothing can fill the cash registers fast
                 enough. And immediately the curious crowd presses forward, people want a
                 better view. You can never see enough. There’s something grand and fine, or
                 perhaps very horrible and very vulgar, that will always escape us. You think

                 you’re going to see it right here, right now! And you absolutely mustn’t miss
                 it, otherwise you’ll never see it again. You stand there, like the knight of the
                 Round Table before whose eyes the lance of salvation and the Holy Grail are
                 about to pass. And like him, dazed and bemused, you watch them go by, and
                 you forget to reach out your hand and take them.
                     All of a sudden the horsemen emerge from the wings. They do one circuit
                 in a frantic stampede. But they’re no longer Indian police officers, they’re a

                 detachment from the US Army; fiction has these approximations which falsify
                 everything. Galloping past a long strip of painted canvas, the cavalrymen fire
                 their revolvers. The air is thick with dust. The Indians open fire in return; the
                 cavalry slowly retreats to the far end of the arena. But after a few moments,
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