Page 72 - Sorrow of the Earth: Buffalo Bill, Sitting Bull and the Tragedy of Show Business
P. 72

rain fell. Suddenly, there was a violent storm; his white horse tacked into the

                 wind,  nervous,  and  lost  in  the  mist.  But  on  the  eighth  day  of  January,  he
                 sighted land. Struck by the beauty of the place, like one of those tiny creatures
                 that crawl towards the light, he hugged the last coastline of his life, berthed,
                 and then, when his lungs became excessively inflamed after catching a chill,
                 he fell seriously ill.
                     Through his bedroom window he could see the vast spectacle of things.
                 From  time  to  time  he  would  still  adopt  a  stage  voice,  a  tone  in  which  to

                 harangue the world, and then he would exhibit the forced jollity of a worthless
                 bum. He made an effort to laugh, but his secret wound hadn’t healed, and the
                 ceiling reflected back to him the worst pangs in his heart. What had he done?
                 His face was pale, his skull gleamed. Oh! reality was terrible with a cold food
                 tray beside the bed, a lukewarm glass of water and a pillow that felt too hot

                 and was soaked in sweat.
                     Cody became sentimental. He wept at the least thing, held his sister’s hand
                 squeezed tight in his own and sighed. Like an old plant, he wished he could
                 produce one more flower and smell its perfume! But Cody was already dead,
                 and had been for a long time. In becoming Buffalo Bill, he had disappeared
                 behind the tasselled jackets and the bravura repartee. Yes, Cody was dead, but
                 not like Sitting Bull; his quintessential being had transmogrified into America

                 itself. A living legend is a dead person. And now, seventy million spectators
                 later,  he  needed  to  be  resurrected  in  order  to  become  a  living  being  as  he
                 entered the gates of death for real. And this he could not do. He continued to
                 perform, hamming it up to the last. There is nothing finer than spectacle.

                 One  morning,  William  Cody’s  voice  turned  reedy.  His  belly  swelled.  He
                 didn’t even look towards the window. He could feel the exhausted wellspring
                 inside him, the ice, the incurable wound; time slipped its long skeleton fingers

                 beneath  his  skin.  For  a  moment,  perhaps,  he  saw  a  cotton  dress,  beautiful
                 children, a landscape. And then it was like a rushing stream through his flesh,
                 a deluge. And, in a last burst of consciousness, he saw how far he would have
                 to climb in order to live another life... And then, it seemed to him that life had
                 been a horrible trap. An hour passed. Sunlight entered the room. His breathing
                 was a little easier. And all at once he thought he saw his mistakes so clearly
                 that he loved them. He felt his back slide slowly against the rough sheet, tiny

                 clusters of dust particles swirled by his bed, and he saw a wide plain, with
                 bodies lying on it, and the snow that served as their shroud; he opened his
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