Page 248 - A Little Life: A Novel
P. 248

themselves lasers, something that was hovering over him and healing him,
                the skin beneath them turning healthy and unmarked. Finally Andy told him
                he  could  cover  himself  again,  and  he  did,  and  turned  back  around.  “I’m

                really sorry, Jude,” Andy said, and this time, it was Andy who couldn’t look
                at him.
                   “Do  you  want  to  grab  something  to  eat?”  Andy  asked  after  the
                appointment was over, as he was putting his clothes back on, but he shook
                his head: “I should go back to the office.” Andy was quiet then, but as he
                was leaving, he stopped him. “Jude,” he said, “I really am sorry. I don’t like
                being the one who has to destroy your hopes.” He nodded—he knew Andy

                didn’t—but  in  that  moment,  he  couldn’t  stand  being  around  him,  and
                wanted only to get away.
                   However, he reminds himself—he is determined to be more realistic, to
                stop  thinking  he  can  make  himself  better—the  fact  that  he  can’t  get  this
                surgery means he now has the money for Malcolm to begin the renovation
                in earnest. Over the years he has owned the apartment, he has witnessed

                Malcolm grow both bolder and more imaginative in his work, and so the
                plans  he  drew  when  he  first  bought  the  place  have  been  changed  and
                revised  and  improved  upon  multiple  times:  in  them,  he  can  see  the
                development of what even he can recognize as an aesthetic confidence, a
                self-assured  idiosyncracy.  Shortly  before  he  began  working  at  Rosen
                Pritchard and Klein, Malcolm had quit his job at Ratstar, and with two of
                his former colleagues and Sophie, an acquaintance of his from architecture

                school, had founded a firm called Bellcast; their first commission had been
                the  renovation  of  the  pied-à-terre  of  one  of  Malcolm’s  parents’  friends.
                Bellcast did mostly residential work, but last year they had been awarded
                their  first  significant  public  commission,  for  a  photography  museum  in
                Doha, and Malcolm—like Willem, like himself—was absent from the city
                more and more frequently.

                   “Never  underestimate  the  importance  of  having  rich  parents,  I  guess,”
                some asshole at one of JB’s parties had grumbled, sourly, when he heard
                that Bellcast had been the runners-up in a competition to design a memorial
                in Los Angeles for Japanese Americans who had been interned in the war,
                and JB had started shouting at him before he and Willem had a chance; the
                two  of  them  had  smiled  at  each  other  over  JB’s  head,  proud  of  him  for
                defending Malcolm so vehemently.
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