Page 255 - A Little Life: A Novel
P. 255

through the corridors in their boxers, and when he went to the bathroom at
                the end of the hall, there’d be someone in there taking a sponge bath in the
                sink or  shaving or  brushing his teeth, and he’d nod at them—“Whassup,

                man?”—and they’d nod back. Sadly, however, the overall effect was less
                collegiate and more institutional. This depressed him. JB could have found
                studio  space  elsewhere,  better,  more  private  studio  space,  but  he’d  taken
                this one because (he was embarrassed to admit) the building looked like a
                dormitory, and he hoped it might feel like college again. But it didn’t.
                   The  building  was  also  supposed  to  be  a  “low  noise  density”  site,
                whatever that meant, but along with the artists, a number of bands—ironic

                thrasher  bands,  ironic  folk  bands,  ironic  acoustic  bands—had  also  rented
                studios there, which meant that the hallway was always jumbled with noise,
                all of the bands’ instruments melding together to make one long whine of
                guitar feedback. The bands weren’t supposed to be there, and once every
                few months, when the owner of the building, a Mr. Chen, stopped by for a
                surprise  inspection,  he  would  hear  the  shouts  bouncing  through  the

                hallways, even through his closed door, each person’s call of alarm echoed
                by  the  next,  until  the  warning  had  saturated  all  five  floors—“Chen!”
                “Chen!” “Chen!”—so by the time Mr. Chen stepped inside the front door,
                all was quiet, so unnaturally quiet that he imagined he could hear his next-
                door  neighbor  grinding  his  inks  against  his  whetstone,  and  his  other
                neighbor’s spirograph skritching against canvas. And then Mr. Chen would
                get into his car and drive away, and the echoes would reverse themselves

                —“Clear!” “Clear!” “Clear!”—and the cacophony would rise up again, like
                a flock of screeching cicadas.
                   Once  he  was  certain  he  was  alone  on  the  floor  (god,  where  was
                everyone? Was he truly the last person left on earth?), he took off his shirt
                and then, after a moment, his pants, and began cleaning his studio, which he
                hadn’t done in months. Back and forth he walked to the trash cans near the

                service elevator, stuffing them full of old pizza boxes and empty beer cans
                and scraps of paper with doodles on them and brushes whose bristles had
                gone strawlike because he hadn’t cleaned them and palettes of watercolors
                that had turned to clay because he hadn’t kept them moist.
                   Cleaning was boring; it was particularly boring while sober. He reflected,
                as  he  sometimes  did,  that  none  of  the  supposedly  good  things  that  were
                supposed to happen to you when you were on meth had happened to him.

                Other people he knew had grown gaunt, or had nonstop anonymous sex, or
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