Page 482 - A Little Life: A Novel
P. 482

he  could  tell  Willem  about  them,  but  he  can’t,  of  course.  He  has  made
                Richard promise not to say anything to Willem either, but he knows Richard
                isn’t exactly comfortable with the situation—he has noticed that he is never

                given  jobs  that  involve  razors  or  scissors  or  paring  knives,  which  is
                significant considering how much of Richard’s work demands sharp edges.
                   One  night,  he  peers  into  an  old  coffee  can  that  has  been  left  out  on
                Richard’s desk and sees that it is full of blades: small angled ones, large
                wedge-shaped ones, and plain rectangles of the sort he prefers. He dips his
                hand cautiously into the can, scoops up a loose fistful of the blades, watches
                them pour from his palm. He takes one of the rectangular blades and slips it

                into his pants pocket, but when he’s finally ready to leave for the night—so
                exhausted that the floor tilts beneath him—he returns it gently to the can
                before  he  goes.  In  those  hours  he  is  awake  and  prowling  through  the
                building, he sometimes feels he is a demon who has disguised himself as a
                human, and only at night is it safe to shed the costume he must wear by
                daylight, and indulge his true nature.

                   And then it is Tuesday, a day that feels like summer, and Willem’s last in
                the  city.  He  leaves  for  work  early  that  morning  but  comes  home  at
                lunchtime so he can say goodbye.
                   “I’m going to miss you,” he tells Willem, as he always does.
                   “I’m going to miss you more,” Willem says, as he always does, and then,
                also as he always does, “Are you going to take care of yourself?”
                   “Yes,” he says, not letting go of him. “I promise.” He feels Willem sigh.

                   “Remember you can always call me, no matter what time it is,” Willem
                tells him, and he nods.
                   “Go,” he says. “I’ll be fine,” and Willem sighs again, and goes.
                   He hates to have Willem leave, but he is excited, too: for selfish reasons,
                and also because he is relieved, and happy, that Willem is working so much.
                After they had returned from Vietnam that January, just before he left to

                film Duets, Willem had been alternately anxious and bluffly confident, and
                although  he  tried  not  to  speak  of  his  insecurities,  he  knew  how  worried
                Willem  was.  He  knew  Willem  worried  that  his  first  movie  after  the
                announcement of their relationship was, no matter how much he protested
                otherwise, a gay movie. He knew Willem worried when the director of a
                science-fiction thriller he wanted to do didn’t call him back as quickly as he
                had thought he might (though he had in the end, and everything had worked

                out the way he had hoped). He knew Willem worried about the seemingly
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