Page 561 - A Little Life: A Novel
P. 561

magazine  for  a  long  profile,  he  vanished  whenever  he  knew  the  writer
                would  be  present.  He  knew  Willem  wasn’t  offended  by  this,  that  he
                attributed his scarcity to his sense of privacy. And while this was true, it

                wasn’t the only reason.
                   Once, shortly after they had become a couple, there had been a picture of
                them that had run with a Times story about Willem and the first installment
                he had completed in a spy movie trilogy. The photo had been taken at the
                opening of JB’s fifth, long-delayed show, “Frog and Toad,” which had been
                exclusively images of the two of them, but very blurred, and much more
                abstract than JB’s previous work. (They hadn’t quite known what to think

                of  the  series  title,  though  JB  had  claimed  it  was  affectionate.  “Arnold
                Lobel?” he had screeched at them when they asked him about it. “Hello?!”
                But neither he nor Willem had read Lobel’s books as children, and they’d
                had to go out and buy them to make sense of the reference.) Curiously, it
                had been this show, even more than the initial New York  magazine story
                about  Willem’s  new  life,  that  had  made  their  relationship  real  for  their

                colleagues and peers, despite the fact that most of the paintings had been
                made from photographs taken before they had become a couple.
                   It was also this show that would mark, as JB later said, his ascendancy:
                they knew that despite his sales, his reviews, his fellowships and accolades,
                he was tormented that Richard had had a mid-career museum retrospective
                (as  had  Asian  Henry  Young),  and  he  hadn’t.  But  after  “Frog  and  Toad,”
                something  shifted  for  JB,  the  way  that  The  Sycamore  Court  had  shifted

                things for Willem, the way that the Doha museum had shifted things for
                Malcolm, even the way—if he was to be boastful—that the Malgrave and
                Baskett suit had shifted things for him. It was only when he stepped outside
                his firmament of friends that he realized that that shift, that shift they had all
                hoped for and received, was rarer and more precious than they even knew.
                Of all of them, only JB had been certain that he deserved that shift, that it

                was absolutely going to happen for him; he and Malcolm and Willem had
                had  no  such  certainty,  and  so  when  it  was  given  to  them,  they  were
                befuddled.  But  although  JB  had  had  to  wait  the  longest  for  his  life  to
                change,  he  was  calm  when  it  finally  did—something  in  him  seemed  to
                become defanged; he became, for the first time since they had known him,
                mellowed, and the constant prickly humor that fizzed off of him like static
                was demagnetized and quieted. He was glad for JB; he was glad he now had
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