Page 143 - And the Mountains Echoed (novel)
P. 143

EB:  So  you  didn’t  see  much  of  him.  He  was  an  absentee

                        figure.


                        NW: Not entirely. He made it a point every couple of days to
                        spend a few minutes with me. He would come into my room
                        and sit on my bed, which was my signal to climb into his lap.
                        He would bounce me on his knees for a while, neither one of
                        us saying much, and finally he would say, “Well, what shall
                        we  do  now,  Nila?”  Sometimes  he  would  let  me  take  the
                        handkerchief  from  his  breast  pocket  and  let  me  fold  it.  Of
                        course I would just ball it up and stuff it back into his pocket,
                        and he would feign an expression of mock surprise, which I
                        found highly comical. And we’d keep doing this until he tired
                        of it, which was soon enough. And then he would stroke my
                        hair with his cold hands and say, “Papa has to go now, my
                        fawn. Run along.”



                        She takes the photograph back to the other room and returns,
                        fetches a new pack of cigarettes from a drawer and lights one.


                        NW: That was his nickname for me. I loved it. I used to hop
                        around the garden—we had a very large garden—chanting,
                        “I am Papa’s fawn! I am Papa’s fawn!” It wasn’t until much
                        later that I saw how sinister the nickname was.



                        EB: I’m sorry?


                        She smiles.


                        NW: My father shot deer, Monsieur Boustouler.


                They could have walked the few blocks to Maman’s apartment, but the rain has
               picked up considerably. In the taxi, Maman sits balled up in the backseat, draped
               by Pari’s raincoat, wordlessly staring out the window. She looks old to Pari at
               this instant, far older than her forty-four years. Old and fragile and thin.

                   Pari has not been to Maman’s apartment in a while. When she turns the key
               and lets them in, she finds the kitchen counter cluttered with dirty wineglasses,
               open bags of chips and uncooked pasta, plates with clumps of unrecognizable
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