Page 225 - And the Mountains Echoed (novel)
P. 225

the time I reach the campsite. I search all over, kicking bushes, looking between

               rocks, dread building as I rummage in vain. Then, just as I try to resign myself to
               the worst, I spot a flash of white in a batch of shrubs up a shallow slope. I find
               the photo wedged between a tangle of brambles. I pluck it free, beat dust from it,
               my eyes brimming with tears of relief.
                   Twenty-three … twenty-four … twenty-five …
                   In Caracas I sleep under a bridge. A youth hostel in Brussels. Sometimes I
               splurge and rent a room in a nice hotel, take long hot showers, shave, eat meals
               in a bathrobe. I watch color TV. The cities, the roads, the countryside, the people
               I meet—they all begin to blur. I tell myself I am searching for something. But
               more and more, it feels like I am wandering, waiting for something to happen to
               me,  something  that  will  change  everything,  something  that  my  whole  life  has

               been leading up to.
                   Thirty-four … thirty-five … thirty-six …
                   My fourth day in India. I totter down a dirt road among stray cattle, the world
               tilting under my feet. I have been vomiting all day. My skin is the yellow of a
               sari,  and  it  feels  like  invisible  hands  are  peeling  it  raw.  When  I  can’t  walk
               anymore, I lie down on the side of the road. An old man across the road stirs
               something in a big steel pot. Beside him is a cage, inside the cage a blue-and-red
               parrot. A dark-skinned vendor pushing a cartful of empty green bottles passes

               me by. That’s the last thing I remember.
                   Forty-one … forty-two …
                   I wake up in a big room. The air is thick with heat and something like rotting
               cantaloupe. I am lying on a twin-sized steel-frame bed, cushioned from the hard,
               springless platform by a mattress no thicker than a paperback book. The room is
               filled with beds like mine. I see emaciated arms dangling over the sides, dark
               matchstick legs protruding from stained sheets, scant-toothed mouths open. Idle
               ceiling fans. Walls marked by patches of mold. The window beside me lets in
               hot, sticky air and sunlight that stabs the eyeballs. The nurse—a burly, glowering
               Muslim man named Gul—tells me I may die of hepatitis.

                   Fifty-five … fifty-six … fifty-seven …
                   I ask for my backpack. What backpack? Gul says with indifference. All my
               things are gone—my clothes, my cash, my books, my camera. That’s all the thief
               left you, Gul says in his rolling English, pointing to the windowsill beside me.
               It’s the picture. I pick it up. Thalia, her hair flapping in the breeze, the water
               bubbling with froth around her, her bare feet on the rocks, the leaping Aegean
               flung out before her. A lump rises to my throat. I don’t want to die here, among
               these strangers, so far away from her. I tuck the photo in the wedge between the
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