Page 6 - 當代藝術展覽企劃書
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SIMYO GALLERY : Lee Hi-Yong (b.1967)


               Lee Hi-Yong’s painting of Goryeo Dynasty celadon and Joseon
               Dynasty white porcelains have been constantly evolving since he first
               resumed the theme in the early 2000s. Lee’s painstakingly time-
               consuming pencil work evokes the viewer of Asian tradition literati
               paintings in that he takes the process of his work, not to “paint” but
               to as a “discipline” onto itself. To Lee, the innumerable repetition of
               short strokes of lines with pencil is in fact equivalent to a meditative

               act of cleansing his mind. In his work, antique forms of celadon and
               porcelains are coaxed to life, rendered almost to be breathing with
               Lee’s masterful technical skill achieved by the exacting precision
               of incalculable stroke marks which ironically at first glance, does not
               show any efforts of a human hand.
               Although Lee’s pencil work can be misread as black and white
               photography, upon closer examination, what he intended was not a
               hyper-realistic depiction by itself. Lee wanted to express a myriad of
               layers in time and trace history from stains and marks on the surface

               of the porcelains and provide a quiet moment with the viewer to look
               back on their own sense of time.
               In recent years, Lee has been receiving significantly increased
               attention in the art world. Selected exhibition venues include Kunst
               18 in Zurich, Jebiri Museum in Gangneung, Chuncheon Cultural
               Foundation in Chuncheon, and Seoul Arts Center in Seoul.
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