Page 8 - Sensitive Guys Playbilll 08.15.20
P. 8

FROM THE ARTISTIC DIRECTOR

                                         An early draft of the play Sensitive
                                         Guys landed in my inbox about four
                                         years ago. It came in when I was
                                         on vacation and therefore my email
                                         sent it to an archive to wait upon
                                         my return. For whatever long-lost
                                         reason, I did not open the email
                                         with the script when I came back
                                         and thus the play sat unattended

                                         in my electronic file room.

      Lights out. Now move forward two years; I had just returned to my office having had
      lunch with director Leslie Swackhamer – a lunch wherein we discussed our shared love of
      plays that bend convention. I typed into my email search the name of an agent who often
      shares such interesting plays with me and suddenly the lost email popped up. I read the
      attached play and loved it. Thus, began the long and winding road to share Sensitive
      Guys with you, our beloved Stages’ audience.
      From the start, I was drawn to this play’s courage; not only that it wrestles with issues of
      gender and identity in deeply intelligent ways but that it does so with a compassionate
      heart and dares to find comedy in unexpected places. The journey into the core of the
      play is deftly handled as each scene carefully leads the audience to the heart of the
      matter – rape culture in America. It is a play that reveals itself slowly - and often subtly
      – through a constant questioning of power and privilege. But the play is also boldly
      theatrical – there are no male identified actors in a play called Sensitive Guys!  It is
      through this integration of comedy, biting systemic rebuke, and inspired theatricality that
      the play finds its unique and powerful voice.
      I saw the final dress rehearsal for Sensitive Guys on March 13, 2020 on the Lester and
      Sue Smith Stage at The Gordy. The show was one week away from opening.  At the time,
      I was in rehearsal for Hook’s Tale and the cast and crew of that production were taking
      a short break during which we determined that it was unsafe to continue to do our work
      with the realities of COVID 19 all around us. I went to explain the situation to the cast of
      Sensitive Guys and the full creative teams of both shows decided to join together so that
      the cast of Sensitive Guys could perform the show they had so lovingly rehearsed for at
      least one audience. I have rarely - if ever – been so moved by any rehearsal of a play.
      That very day, I knew we HAD to find the way to save this work and share it. The power
      of the play, the care of these artists, and the moment to express these ideas was – and
      is – now. And so, while the theater world collapsed around us all, we all kept our eyes on
      making sure that Sensitive Guys could be seen here in Houston.
      I hold the deepest appreciation for the actors of this play – Rachael, Emily, Raven, Mai
      and Donna Bella - for hanging with us as we formed a plan to share the work they have
      all so brilliantly created. I celebrate the mad genius that is Peter Ton who - from intern
      years ago to our hero now -  has been a loving and constant contributor to the artistic life
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