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WHO’S WHO  WHAT ARE PERSONAL

 Opera: Die Fledermaus (Props Run Crew),
 The Golden Cockerel (Assistant Run Crew   PRONOUNS AND WHY DO
 Chief), The Revolution of Steve Jobs (Props
 Run Crew), Apprentice Scenes - Night 2
 (Assistant Run Crew Chief). Jamie would
 like to thank her family and friends for their   THEY MATTER?
 continued love and support.

 KENN MCLAUGHLIN (Artistic Director)
 The 2020-2021 season marks Kenn
 McLaughlin’s fifteenth season as Stages’
 artistic leader, following five successful
 years as the theatre’s Managing Director.   In English, whether we realize it or not, people frequently refer to
 Kenn has produced more than 100   us using pronouns when speaking about us. Often, when speaking
 productions, including record-breaking   of a singular human in the third person, these pronouns have a
 hits like The Marvelous Wonderettes
 and Late Nite Catechism series; The   gender implied -- such as “he” to refer to a man/boy or “she” to
 Great American Trailer Park Musical   refer to a woman/girl. These associations are not always accurate or
 and revivals of the theatre’s landmark   helpful.
 original musical Always…Patsy Cline; as
 well as pivotal world and U.S. premieres   Often, people make assumptions about the gender of another
 such as De Kus, Black Pearl Sings, An   person based on the person’s appearance or name. These
 American Brat, Miss Teen nine original
 Pantomime productions, and The Great   assumptions aren’t always correct, and the act of making an
 American Trailer Park Christmas Musical.   assumption (even if correct) sends a potentially harmful message
 He has directed over 30 shows for Stages.   -- that people have to look a certain way to demonstrate the gender
 Highlights include: Auntie Mame, Road
 Show, Grey Gardens, Full Gallop, The   that they are or are not.
 Search for Signs of Intelligent Life in
 the Universe, Mack and Mabel, Speech   Using someone’s correct personal pronouns is a way to respect
 and Debate, The Man Who Shot Liberty   them and create an inclusive environment, just as using a person’s
 Valance, Stupid Fucking Bird, The Blonde,   name can be a way to respect them. Just as it can be offensive or
 The Brunette and the Vengeful Redhead   even harassing to make up a nickname for someone and call them
 and the world premiere of Miss Teen.
 He has also written the book for two of   that nickname against their will, it can be offensive or harassing
 Stages’ hit musicals: Panto Mother Goose   to guess at someone’s pronouns and refer to them using those
 and A Midnight Clear both with music by   pronouns if that is not how that person wants to be known. Or,
 composer David Nehls. This season, Kenn
 has directed The Doyle and Debbie Show,   worse, actively choosing to ignore the pronouns someone has
 Salt, Root and Roe, The Fantasticks and   stated that they go by could imply the oppressive notion that
 will direct the world premiere of Hook’s   intersex, transgender, nonbinary, and gender nonconforming
 Tale. Beyond Houston, Kenn’s musical, I’ll   people do not or should not exist.
 Be Home for Christmas (also written with
 David Nehls) received its World Premiere   When we refer to “personal” pronouns, we don’t mean that these
 production at the Arvada Center for the
 Arts and Humanities in Denver and was   pronouns are necessarily private information (generally they are
 nominated for a Henry Award for Best New   not), we mean that they are pronouns referring to a unique and
 Play/Musical. Outside of Houston, Kenn   individual person.
 recently directed The Threepenny Opera
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