Page 120 - Liverpool Philharmonic 22-23 Season Coverage Book
P. 120

Glowing reference: Margot Robbie in Greta Gerwig’s forthcoming Barbie. Photograph:

        Entertainment Pictures/Alamy

        On the face of it, a Barbie movie sounds like Hollywood IP barrel-scraping at its most
        cynical and capitalistic, so it speaks to the power of Greta Gerwig that it is one of 2023’s
        most curiously awaited films. One can only assume the director of Lady Bird and the
        cleverly retooled Little Women has playful plans for the doll’s first live-action feature.
        Candy-coloured snaps from the set, showing a fabulously costumed Margot Robbie and
        Ryan Gosling seemingly having a ball, suggest a witty, high-irony approach, but will
        Gerwig also humanise the plastic princess? Let’s see. In cinemas 21 July. Guy Lodge


        Dance
        Wayne McGregor’s The Dark Crystal: Odyssey


























        Olivia Cowley McGregor’s Woolf Works, which is returning to the Royal Opera
        House. Photograph: Tristram Kenton/The Guardian

        Wayne McGregor’s myth-making show, inspired by Jim Henson’s fantasy film of 1982,
        finally gets its pandemic-postponed premiere (Linbury theatre, Royal Opera House, 13
        May to 4 June) in the midst of an extraordinarily busy year for the Royal Ballet’s
        resident choreographer. This mythical coming-of-age story is for his own Company
        Wayne McGregor and collaborators include Henson’s Creature Shop. It follows a revival
        on the main stage of Woolf Works (1 March), his three-act ballet about the life and
        writings of Virginia Woolf, and precedes the world premiere of Carmen Herrera (9
        June), which features the work of the eponymous late Cuban-American artist. SCr

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