Page 59 - Final_CBSO's 100th Birthday Celebration
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the arts desk



                                                     08 September 2020



        CBSO 100th Birthday Celebration online

        review - top musicians let down by sound

        and visuals


        ***


        An ambitious centenary presentation firing on too many cylinders
        by David NiceTuesday, 08 September 2020

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        Presenter Adrian Lester, CBSO General Manager Stephen Maddock, Simon Rattle, the CBSO and that logo

        Let’s start by echoing Simon Rattle’s sense of “how lucky we are”, in our case to be able to share
        with a 75-piece City of Birmingham Symphony Orchestra its centenary to the very day, and
        celebrate the programme, the performers, the front man too (that superlative actor Adrian Lester,
        born in Birmingham to Jamaican immigrants). The overall presentation, alas, not so much. The
        welcome presence of Midlander Sheku Kanneh-Mason as soloist in Saint-Saëns' First Cello
        Concerto (pictured below) only reminded some of us how he was filmed playing the same work
        (don’t orchestras compare notes?), just as brilliantly, but in much better sound and vision, courtesy
        of the Philharmonia’s first Summer Session with conductor John Wilson.
        What went so wrong here? The acoustic clearly wasn’t good, and why the CBSO couldn’t play in its home, the
        best concert hall in the country – constructed in 1991 with a promise that the auditorium would be played down
        as only part of a conference centre – isn’t at all clear. It might have felt as disquieting as the livestreamed Proms
        to see no audience in such a vast space; but there certainly wasn’t any atmosphere about the Longbridge
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