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than	yours;	they	can	do	the	service	themselves	or	not	at	all.	The	homeowner	can
paint	 his	 own	 house	 or	 postpone	 it	 indefinitely;	 the	 woman	 with	 a	 troublesome
mole	 can	 diagnose	 her	 own	 ailment	 or	 refuse	 medical	 service	 altogether;	 the
aggrieved	subcontractor	can	take	his	own	case	to	court	or	say	to	hell	with	it.

   People	almost	 always	 can	 find	a	cheaper	 way	to	get	your	service—and	 few
efforts	are	less	rewarding	than	trying	to	compete	with	those	cheaper	ways.

   Beware	of	the	rock	bottom.

Pricing:	A	Lesson	from	Picasso

	

In	many	services—overnight	delivery,	dry	cleaning,	fast	foods—the	“product”	of
the	 service	 has	 become	 a	 commodity,	 and	 commodity	 pricing	 rules	 prevail:	 To
the	low-priced	go	the	spoils.

   But	 in	 millions	 of	 other	 services,	 pricing	 is	 a	 notso-simple	 matter	 of	 “What
Will	the	Market	Bear?”

   A	 lot,	 it	 often	 seems.	 A	 friend	 marvels	 at	 his	 older	 brother,	 who	 earns	 a
million	dollars	a	year	telling	companies	like	Coca-Cola	what	the	future	might	be.
Lawrence	 Tribe	 charges	 $750	 an	 hour	 to	 read,	 think,	 and	 occasionally	 argue
cases	 before	 the	 Supreme	 Court.	 Film	 directors,	 great	 photographers,	 top
consultants,	and	many	others	charge	enough	to	buy	Monets.

   What	 is	 talent	 and	 thought	 worth—and	 why	 is	 some	 worth	 so	 much?	 What
can	 you	 reasonably	 charge?	 Good	 questions.	 Before	 you	 answer	 them,	 consider
this	story	about	Pablo	Picasso:

   A	 woman	 was	 strolling	 along	 a	 street	 in	 Paris	 when	 she	 spotted	 Picasso
sketching	 at	 a	 sidewalk	 café.	 Not	 so	 thrilled	 that	 she	 could	 not	 be	 slightly
presumptuous,	 the	 woman	 asked	 Picasso	 if	 he	 might	 sketch	 her,	 and	 charge
accordingly.

   Picasso	obliged.	In	just	minutes,	there	she	was:	an	original	Picasso.
   “And	what	do	I	owe	you?”	she	asked.
   “Five	thousand	francs,”	he	answered.
   “But	it	only	took	you	three	minutes,”	she	politely	reminded	him.
   “No,”	Picasso	said.	“It	took	me	all	my	life.”
   Don’t	charge	by	the	hour.	Charge	by	the	years.

The	Carpenter	Corollary	to	the	Picasso	Principle
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