Page 126 - Constructing Craft
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The Role of the Crafts Council of New Zealand



               Increasingly, as more and more people earning their living from making pottery,

               weaving, woodwork and other studio crafts, craft was promoted as a professional
               career opportunity. The CCNZ played a major role in this promotion. Craftspeople

               were portrayed as highly skilled and creative individuals who also operated
               successful commercial businesses. The professionalisation of craft was promoted

               through three distinct threads: excellence, marketing, and education. Within the

               craft movement these aspects of craft discourse formed a labyrinth of intertwining
               meanings that changed and evolved over time as the movement became stronger.

               In addition, craftspeople were aware that professionalism in the wider art community
               could have different interpretations. Notions of symbolic capital within different

               sections of the art community which indicated that status within the art world was

               not decided purely on economic criteria were difficult to understand and confusing
               for many craftspeople. As craftworks became more sophisticated and craftspeople

               better educated in their field their social, cultural and symbolic capital increased and
               the means of gaining economic capital altered. Economic capital became less

               important as other forms of capital became more valuable to some craftspeople.




               The Role of Qualifications


               Within the studio craft movement some craftspeople became ‘more professional’

               than other craftspeople because they held higher academic qualifications in the field

               or their work was more closely related to art than traditional craft. Qualifications are
               a means of enhancing the superiority of some people over others. The economic

               capital that had at first encouraged the growth of the studio craft movement became
               less important when the movement matured. Social and cultural capital became

               more valuable.


               According to Pierre Bourdieu, education is one of the locations where powerful

               groups in society employ symbolic violence to impose their dominance. Bourdieu

                                                                          Constructing Craft
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