Page 126 - Constructing Craft
        P. 126
     The Role of the Crafts Council of New Zealand
               Increasingly, as more and more people earning their living from making pottery,
               weaving, woodwork and other studio crafts, craft was promoted as a professional
               career opportunity. The CCNZ played a major role in this promotion. Craftspeople
               were portrayed as highly skilled and creative individuals who also operated
               successful commercial businesses. The professionalisation of craft was promoted
               through three distinct threads: excellence, marketing, and education. Within the
               craft movement these aspects of craft discourse formed a labyrinth of intertwining
               meanings that changed and evolved over time as the movement became stronger.
               In addition, craftspeople were aware that professionalism in the wider art community
               could have different interpretations. Notions of symbolic capital within different
               sections of the art community which indicated that status within the art world was
               not decided purely on economic criteria were difficult to understand and confusing
               for many craftspeople. As craftworks became more sophisticated and craftspeople
               better educated in their field their social, cultural and symbolic capital increased and
               the means of gaining economic capital altered. Economic capital became less
               important as other forms of capital became more valuable to some craftspeople.
               The Role of Qualifications
               Within the studio craft movement some craftspeople became ‘more professional’
               than other craftspeople because they held higher academic qualifications in the field
               or their work was more closely related to art than traditional craft. Qualifications are
               a means of enhancing the superiority of some people over others. The economic
               capital that had at first encouraged the growth of the studio craft movement became
               less important when the movement matured. Social and cultural capital became
               more valuable.
               According to Pierre Bourdieu, education is one of the locations where powerful
               groups in society employ symbolic violence to impose their dominance. Bourdieu
                                                                          Constructing Craft





