Page 214 - Constructing Craft
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unemployment for instance, and the increasing success in the arts by suggesting

               that the changing composition of the population and the maturing of the urban
               environment ‘gave vitality to New Zealand life which the economic commentaries
                            11
               overlooked’.  The increase in vitality, a sign of increasing cultural confidence in
               New Zealand society, was seen to be a positive boost for some craftspeople.

               Craftspeople also looked to teaching to share their knowledge and experience and
               for employment opportunities. Formal education also gave more recognition to craft

               art thus promoting the ‘new’ craft in the new market.




               In the next chapter we look at the growth of one of New Zealand’s largest craft-

               related industries to see how one dominant conglomerate could impact on the lives
               of craftspeople and how craftspeople could influence the strategies of big business.

               But here we consider the many ways that craftspeople ensured that their
               ‘businesses’ stayed viable during periods of economic growth and decline.




               Studio Pottery

               In the relationship between studio craft, related industries and government, craft

               held the subordinate position and was always dependent on decisions made by
               others. To develop and grow within this environment craftspeople had to be

               resourceful, adaptable and political. Pottery was the dominant craft in the struggle

               between studio craft and business. Potters were more likely than other craftspeople
               to be earning all, or a substantial portion, of their income from their craft and were

               therefore more closely aligned to industry than most other crafts.



               Early Craftspeople look to Industry

               In Chapter Two it was noted that when the early craftspeople were first developing

               their skills and finding materials only two sources of information and prepared

               materials were available to them. A very small number of books from overseas
               helped expand their knowledge and some related businesses supplied a very

               limited range of materials – usually leftovers not required by them. Potters were
               fortunate in that a number of manufacturing businesses used clay as a part of their


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