Page 19 - Phil Great Collaborations March 2024 digital program book
P. 19

PROGRAM NOTES


        MODEST MUSSORGSKY
        orchestrated by MAURICE RAVEL
        Pictures at an Exhibition


        Modest Mussorgsky was born at the grand Chirikov Estate (now a museum dedicated
        to his life and works) 250 miles south of Saint Petersburg, Russia on 21 March 1839
        and died in Saint Petersburg in 1881. His Pictures at an Exhibition is a piano suite
        consisting of a (repeated) promenade and ten movements, composed in June 1874. This
        famous French orchestration by Maurice Ravel (1875-1937) was personally commissioned
        by Serge Koussevitsky (1874-1951), who conducted the new work’s premiere in Paris on 19
        October 1922 and made its first recording in 1930 with the Boston Symphony.
        Pictures at an Exhibition was originally an 1874 suite for solo piano. It is
        a musical response to a Saint Petersburg art exhibition of works by the
        architect and painter Viktor Hartmann (1834-1873), who was a close friend
        of the composer Modest Mussorgsky. Both young men were interested in
        nationalistic Russian artworks, and Hartmann gave the composer two of
        his paintings in 1868 entitled “Jewish Man in a Fur Cap” and “Sandomirskii
        (Yiddish man)”. These would inspire the sixth movement of his later piano
        suite (“Samuel Goldenberg and Schmuÿle”). Mussorgsky dedicated one of
        the songs in his song cycle The Nursery (1870) to Hartmann, who praised his
        operatic writing in Boris Godunov.
        The piano suite represents eleven items from the Hartmann exhibition
        in ten movements, interrupted by an Andante promenade in 11/4 (notated
        in alternating 5/4 and 6/4 measures). In a letter in Russian to Stasov (the
        dedicatee of the suite), Muusorgsky said, “My dear généralissime, Hartmann
        is boiling as Boris boiled—sounds and ideas hung in the air, I am gulping and
        overeating, and can barely manage to scribble them on paper. I am writing
        the 4th No.—the transitions are good (on the ‘promenade’). I want to work
        more quickly and steadily. My physiognomy can be seen in the interludes…”
        After the composer’s death, his colleague Nikolai Rimsky-Korsakov edited
        and published it (1886), and a corrected scholarly edition was issued to
        mark the fiftieth anniversary of the composer’s death (1939). His original
        manuscript was published in facsimile in 1975.
        Some of the images that inspired Mussorgsky have not survived. His second
        movement evokes shepherd’s pipes or the strumming of open strings: entitled
        The Old Castle, was inspired by a painting Stasov described as “a medieval
        castle, before which a troubadour sings a song.” The third movement, Tuileries
        (Children Quarrelling at Play), brings to life an avenue in the Tuileries Gardens,
        west of the Louvre, “with a swarm of children and nurses.” The fourth
        movement, Bydlo, depicts a ponderous wagon with huge wooden wheels (bydło



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