Page 60 - 고산 최은철 개인전 2023. 12. 28 – 1. 3 백악미술관

<Collection of Short Comments on the Exhibition>

sharp and nimble with thick fragrance of epigraph,
which is highly valued enough.
I wish this exhibition will go smoothly for success
and his tree of art will be ever green.
- Máo-gōng-qiáng, Invited Professor, University
of Saint Joseph, Macao

58. Zōng-chéng-zhèn
This work is convergent of such expression
methods as calligraphy, inscribing, oil painting,
engraving and so on into one piece of work,
so that it can express abundant, cubic and
diverse visual effects dealing with such various
calligraphic styles as oracle bone script, bronze
script, Haengseo, Choseo and etc. Such various
forms for convergence makes it possible for
the grand images of such characters as “善”,
“道”, “诚” and “游” to be harmonized with their
propositions so that they can be convergent in both
content and form in harmonizing ways, which do
not only present abundant visual emotion to the
spectators but also simultaneously make them
deeply think of the relations between human and
human; human and society; human and nature;
human and universe.
- Professor Zōng-chéng-zhèn, deputy chairman,
Research Institute of Chinese Calligraphic Rules
and Culture, Capital Normal University, China

59. Chén-zhì-chāo
Choi Eun-cheol has planted Confucianism,
Buddhism and Taoism into his calligraphy and
inscribing work, so that his work is elegant,
graceful, beautiful and profound with the spirit of
Lao-tzu and Zhuāng-zǐ planted on every piece of
his.
- Chén-zhì-chāo, Curator, Chengyuan Painting
and Calligraphy Art Museum, Chéngdū, China

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