Page 56 - ION Indie Magazine MarchApril 2021
P. 56

Marty Haviik: Stella, thank you for giving ION Indie Magazine a little bit of your
                           time and talking with us about your music. Please share with our readers a
                           little about yourself.

                           Stella  Katherine  Cole:  I’m  so  happy  to  be  talking  to  you!  A  little  bit  about
                           myself…sure. I’m currently a senior at Northwestern University in Evanston, Illinois,
                           (about 15 mins north of Chicago). I’m double majoring in Theater and International
                           Relations and minoring in German. I’m also studying musical theatre and film acting
                           there.  My  music  career  started  during  the  pandemic,  actually.  I  started  posting
                           videos of myself singing on TikTok and a few of them blew up. Now I have around
                           65 thousand followers, which is just insane. I never really expected to have a career
                           as a recording artist. I always loved singing jazz standards and these 40s/50s tunes
                           more than anything else, but I never realized how big of an audience there is for
                           this. I’m so grateful for the following I’ve gained in the last few months. I mean, this
                           is what I LOVE doing. The fact that people want to listen to me do what I love, still
                           feels surreal. I’ve had a lot of moments in the last few months where I just start
                           crying of happiness.

                           MH: Let’s go straight to your new Christmas EP. How did you decide to record
                           ‘Classic Christmas with Stella Katherine Cole?’ Fantastic production, by the
                           way.

                           SKC: Thanks so much! It was recorded and mixed at the home studio of a local
                           Michigan musician. We had a blast in the studio. The studio experience is a bit
                           different in a pandemic. We were, of course, really careful about social distancing
                           and  bringing  in  minimal  musicians.  The  saxophonist  actually  had  to  be  in  the
                           bedroom of this home studio, while our pianist was in the living room, and I was in
                           the actual recording booth. Recording ‘Classic Christmas’ was my first time in a
                           studio setting, and I was a little nervous going in. Once I was there though, I was
                           just so thrilled to be singing along with live musicians that I let myself get totally lost
                           in the music. In terms of our process, I decided to record a Christmas album because
                           hundreds of people on TikTok were asking for one. My most common comment was,
                           ‘You should record a Christmas album!’ or ‘Your voice would be great on Christmas
                           music,’ so I called up some local musicians, got into a studio, and put down some
                           Christmas  tracks.  Most  artists  record  a  Christmas  album  in  the  summer,  but  I
                           recorded  it  in  early  December  and  had  it  out  in  about  a  week.  It  was  a  crazy
                           turnaround, but I wanted to get something out there since so many people were
                           asking for it! It ended up getting over 10K streams in less than a month, which is
                           pretty crazy for a new musician putting out her first album without any real marketing
                           plan. It was great that my whole family was listening to my Christmas music all
                           season. It only took a few hours in the studio to get those tracks down... except
                           ‘Have Yourself a Merry Little Christmas,’ which is actually a fun story. It was the first
                           song we recorded, and we did about three takes and moved on. After everything
                           was finished up, I knew I wasn’t happy with the way the vocals sounded, so I tried it
                           once more. The next day, I came into the studio to give Patrick (the engineer/mixer)
                           some feedback on levels, instrumentals, etc. We were listening to ‘Have Yourself’
                           and realized the last note was a little flat. It was in the morning, so my voice wasn’t
                           warmed up and I was wearing sweatpants. I don’t even think I had eaten breakfast
                           yet. But I went into the recording booth just to rerecord that last note. When I got in
                           there, Patrick was like, ‘Why don’t you just record the whole song?’ I was like, ‘Sure,
                           let me warm up a bit.’ And I immediately did a take that was just a hundred times
                           better than any of the stuff we had the night before. My dad was actually in the studio
                           with me that day, and after I finished the song, he was crying. He never cries, so
                           that’s really saying something. That’s been my favorite Christmas song since I was
                           so young. We watch ‘Meet Me in St. Louis’ every year during the holidays, so that
                           song means so much to my family. Thank God I redid it!
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