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example of Clutton. But Fanny Price hated him to take sug-
            gestions from anyone but herself, and when he asked her
           help after someone else had been talking to him she would
           refuse  with  brutal  rudeness.  The  other  fellows,  Lawson,
           Clutton, Flanagan, chaffed him about her.
              ‘You  be  careful,  my  lad,’  they  said,  ‘she’s  in  love  with
           you.’
              ‘Oh, what nonsense,’ he laughed.
              The thought that Miss Price could be in love with anyone
           was preposterous. It made him shudder when he thought of
           her uncomeliness, the bedraggled hair and the dirty hands,
           the brown dress she always wore, stained and ragged at the
           hem: he supposed she was hard up, they were all hard up,
            but she might at least be clean; and it was surely possible
           with a needle and thread to make her skirt tidy.
              Philip  began  to  sort  his  impressions  of  the  people  he
           was thrown in contact with. He was not so ingenuous as
           in those days which now seemed so long ago at Heidelberg,
            and, beginning to take a more deliberate interest in human-
           ity, he was inclined to examine and to criticise. He found it
            difficult to know Clutton any better after seeing him every
            day for three months than on the first day of their acquain-
           tance. The general impression at the studio was that he was
            able; it was supposed that he would do great things, and
           he shared the general opinion; but what exactly he was go-
           ing to do neither he nor anybody else quite knew. He had
           worked at several studios before Amitrano’s, at Julian’s, the
           Beaux Arts, and MacPherson’s, and was remaining longer at
           Amitrano’s than anywhere because he found himself more

                                               Of Human Bondage
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