Page 132 - tender-is-the-night
P. 132

Well, after about two hours we went back and there was
         Rosemary  and  Bill  Hillis  standing  in  the  vestibule  argu-
         ing with the conductor—Rosemary white as a sheet. Seems
         they locked the door and pulled down the blinds and I guess
         there was some heavy stuff going on when the conductor
         came for the tickets and knocked on the door. They thought
         it was us kidding them and wouldn’t let him in at first, and
         when they did, he was plenty sore. He asked Hillis if that
         was his compartment and whether he and Rosemary were
         married that they locked the door, and Hillis lost his temper
         trying to explain there was nothing wrong. He said the con-
         ductor had insulted Rosemary and he wanted him to fight,
         but that conductor could have made trouble—and believe
         me I had an awful time smoothing it over.’
            With  every  detail  imagined,  with  even  envy  for  the
         pair’s community of misfortune in the vestibule, Dick felt a
         change taking place within him. Only the image of a third
         person, even a vanished one, entering into his relation with
         Rosemary  was  needed  to  throw  him  off  his  balance  and
         send through him waves of pain, misery, desire, despera-
         tion. The vividly pictured hand on Rosemary’s cheek, the
         quicker  breath,  the  white  excitement  of  the  event  viewed
         from outside, the inviolable secret warmth within.
            —Do you mind if I pull down the curtain?
            —Please do. It’s too light in here.
            Collis Clay was now speaking about fraternity politics at
         New Haven, in the same tone, with the same emphasis. Dick
         had gathered that he was in love with Rosemary in some cu-
         rious way Dick could not have understood. The affair with

         132                                Tender is the Night
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