Page 243 - a-portrait-of-the-artist-as-a-young-man
P. 243

the war of wits. A lean student with olive skin and lank
         black hair thrust his face between the two, glancing from
         one to the other at each phrase and seeming to try to catch
         each flying phrase in his open moist mouth. Cranly took a
         small grey handball from his pocket and began to examine
         it closely, turning it over and over.
            —Next business? said MacCann. Hom!
            He gave a loud cough of laughter, smiled broadly and
         tugged twice at the straw-coloured goatee which hung from
         his blunt chin.
            —The next business is to sign the testimonial.
            —Will you pay me anything if I sign? asked Stephen.
            —I thought you were an idealist, said MacCann.
            The gipsy-like student looked about him and addressed
         the onlookers in an indistinct bleating voice.
            —By hell, that’s a queer notion. I consider that notion to
         be a mercenary notion.
            His  voice  faded  into  silence.  No  heed  was  paid  to  his
         words. He turned his olive face, equine in expression, to-
         wards Stephen, inviting him to speak again.
            MacCann began to speak with fluent energy of the Tsar’s
         rescript,  of  Stead,  of  general  disarmament  arbitration  in
         cases of international disputes, of the signs of the times, of
         the new humanity and the new gospel of life which would
         make it the business of the community to secure as cheap-
         ly as possible the greatest possible happiness of the greatest
         possible number.
            The gipsy student responded to the close of the period
         by crying:

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