Page 245 - a-portrait-of-the-artist-as-a-young-man
P. 245

—The affair doesn’t interest me in the least, said Stephen
         wearily.  You  know  that  well.  Why  do  you  make  a  scene
         about it?
            —Good! said MacCann, smacking his lips. You are a re-
         actionary, then?
            —Do you think you impress me, Stephen asked, when
         you flourish your wooden sword?
            —Metaphors! said MacCann bluntly. Come to facts.
            Stephen blushed and turned aside. MacCann stood his
         ground and said with hostile humour:
            —Minor poets, I suppose, are above such trivial ques-
         tions as the question of universal peace.
            Cranly raised his head and held the handball between
         the two students by way of a peace-offering, saying:
            —PAX SUPER TOTUM SANGUINARIUM GLOBUM.
            Stephen, moving away the bystanders, jerked his shoul-
         der angrily in the direction of the Tsar’s image, saying:
            —Keep your icon. If we must have a Jesus let us have a
         legitimate Jesus.
            —By  hell,  that’s  a  good  one!  said  the  gipsy  student  to
         those about him, that’s a fine expression. I like that expres-
         sion immensely.
            He gulped down the spittle in his throat as if he were
         gulping down the phrase and, fumbling at the peak of his
         tweed cap, turned to Stephen, saying:
            —Excuse me, sir, what do you mean by that expression
         you uttered just now?
            Feeling himself jostled by the students near him, he said
         to them:

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