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the altar picture by the light of his torch. The eternal light
         hung disturbingly in front of it. The first thing that K. partly
         saw and partly guessed at was a large knight in armour who
         was shown at the far edge of the painting. He was leaning
         on his sword that he had stuck into the naked ground in
         front of him where only a few blades of grass grew here and
         there. He seemed to be paying close attention to something
         that was being played out in front of him. It was astonishing
         to see how he stood there without going any closer. Perhaps
         it was his job to stand guard. It was a long time since K. had
         looked at any pictures and he studied the knight for a long
         time even though he had continually to blink as he found it
         difficult to bear the green light of his torch. Then when he
         moved the light to the other parts of the picture he found
         an interment of Christ shown in the usual way, it was also
         a comparatively new painting. He put his torch away and
         went back to his place.
            There seemed to be no point in waiting for the Italian
         any longer, but outside it was certainly raining heavily, and
         as it was not so cold in the cathedral as K. had expected
         he decided to stay there for the time being. Close by him
         was the great pulpit, there were two plain golden crosses at-
         tached to its little round roof which were lying almost flat
         and whose tips crossed over each other. The outside of the
         pulpit’s balustrade was covered in green foliage which con-
         tinued down to the column supporting it, little angels could
         be seen among the leaves, some of them lively and some of
         them still. K. walked up to the pulpit and examined it from
         all sides, its stonework had been sculpted with great care,
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