Page 113 - nostromo-a-tale-of-the-seaboard
P. 113

merous Costaguana generals were always anxious to dine
            at  his  house.  Presidents  granted  him  audience  with  facil-
           ity. He corresponded actively with his maternal uncle, Don
           Jose Avellanos; but his letters—unless those expressing for-
           mally his dutiful affection—were seldom entrusted to the
           Costaguana Post Office. There the envelopes are opened, in-
            discriminately, with the frankness of a brazen and childish
           impudence characteristic of some Spanish-American Gov-
            ernments. But it must be noted that at about the time of
           the re-opening of the San Tome mine the muleteer who had
            been employed by Charles Gould in his preliminary travels
            on the Campo added his small train of animals to the thin
            stream of traffic carried over the mountain passes between
           the Sta. Marta upland and the Valley of Sulaco. There are
           no travellers by that arduous and unsafe route unless un-
            der very exceptional circumstances, and the state of inland
           trade did not visibly require additional transport facilities;
            but the man seemed to find his account in it. A few pack-
            ages were always found for him whenever he took the road.
           Very brown and wooden, in goatskin breeches with the hair
            outside, he sat near the tail of his own smart mule, his great
           hat turned against the sun, an expression of blissful vacan-
            cy on his long face, humming day after day a love-song in
            a plaintive key, or, without a change of expression, letting
            out a yell at his small tropilla in front. A round little guitar
           hung high up on his back; and there was a place scooped out
            artistically in the wood of one of his pack-saddles where a
           tightly rolled piece of paper could be slipped in, the wood-
            en  plug  replaced,  and  the  coarse  canvas  nailed  on  again.

           11                        Nostromo: A Tale of the Seaboard
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