Page 16 - SFF Prilog
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Beginnings                           HOW DID THE SARAJEVO FILM FESTIVAL, WHICH CELEBRATES THE SEVENTH ART, COME TO EXIST


                 Icreation of the Sarajevo Film Festival  Arose under
                    n wartime autumn of 1993 the
                    director Haris Pašović initiated the

                  translating and subtitling nearly 150  the rain of
                  (SFF), and young enthusiasts from
                  the team of the International Theatre
                  Festival - MESS have helped him by

                  films and making the programme. The
                  theme of the festival was “ Poslije kraja   shells, and
                  svijeta “ (Beyond the end of the world),
                  and those days’ eight-page catalog had
                  been published by a Daily Newspaper
                  “Oslobođenje“. SFF arose under the    became a
                  rain of shells, and became a shelter for
                  the mind.
                  Citizens the Stars                    shelter for

                  - When asked by curious journal-
                  to the question was “Why are they  the mind
                  ists from other major world cities,
                  “Why choose Sarajevo to host a film
                  festival?”, my most common answer

                  killing us?” After that, almost always
                  I noticed a smile of confusion at my
                  interlocutor, a sort of silent apolo-
                  gy for overlooking the fundamental
                  questions. None of Sarajevans ever
                  asked: “Why the film festival?”. Most
                  of the filmmakers around the world
                  have not asked why. The first answer
                  came from Wim Wenders who said:
                  “Of course, I am sending you the
                  films you’re looking for!”, then Lina
                  Wertmiler said: “I support!” and then
                  Dana Rothberg appeared in Saraje-
                  vo, in a private visit. She said: “We’ll
                  make a great festival!”. After that came
                  Vanessa Redgrave on the occasion of
                  another art project. We told her about
                  the festival, she did not say anything.
                  She left, and after what she has done
                  so far, it seems to me that for her,
                  all this time, only Sarajevo and the
                  Festival exist – Pašović wrote in the    In two decades of existence it has grown
                  introductory text.                     into an international festival with a special
                  He noted that nothing can be prom-
                  ised, because they are not sure that   focus on the region of South-East Europe
                  all the screenings will be held, that all


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