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     Continued from page 10                                                      Anna Duffy, Class of

                                                                                 2026
            Illicit Affairs is mainly about infidelity, and

     mirrorball is Swift self-reflecting on the toxic traits
     that stem from her career as an entertainer.
     Epiphany is about front-line health care workers
     during a pandemic similar to our own as well as
     soldiers trying to find peace in their dreams. Hoax

     details a toxic relationship and the singer is on the
     edge of ending the doomed partnership yet just
     can’t seem to let go. My tears ricochet is Taylor

     Swift at a funeral for herself with her enemy,
     presumably Scooter Braun.
            This is me trying includes the themes of
     accepting blame for issues in a relationship and
     cries for help with mental health. The healing

     process of these events is complicated by a sense
     of failure, alcohol, fear, and suicidal thoughts.

           The narrator is apologizing for the fact that their best at the moment is
    seemingly not enough despite the fact that they are fighting a daily struggle for
    survival.

           Peace is another autobiographical song written to Swift’s boyfriend Joe in
    which she wishes that she could give him the peace that life as a celebrity cannot
    reconcile with. They have kept their relationship relatively private over the past 4
    years, but Taylor fears that she is not good enough for the constant intrusion that

    has become Joe’s life. Some fans speculated that this song reveals that Taylor is
    pregnant although this turned out to be false.
           Finally, the mystery of surprise songwriter, William Bowery, was revealed as Joe
    Alwyn, the aforementioned boyfriend. This is especially surprising because Joe has

    no musical background and is actually an actor. Swift claims that she walked in on
    Alwyn singing the full chorus of Betty as well as playing the Exile piano part.
           All in all, Folklore is a well-rounded album with lots of variety yet cohesiveness
    in sound and themes. The first listen-through of the album, neither of us liked it, as it

    took on a completely unexpected sound and direction. But with every listen, it
    became better and we noticed new things to enjoy, causing it to slowly creep to the
    number one spot. We predict that it will go down as one of the most iconic pop
    culture moments of our time, although only time will tell. We see mature vocals,
    top-tier songwriting, and a completely original and fresh tracklist. Folklore is truly

    the Album of the Year, if not the decade.

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