Page 12 - NewsandViews Summer 2024
P. 12

Puzzling with the Riddle of Jonah                                                                             Kit Pearce


          The ending of the Book of Jonah has been a riddle to me all my life – and to many down the centuries.
          Jonah (albeit reluctantly) fulfils a great mission and yet is still capable of falling short.  It’s a tall-tale, a
          revelatory lesson and a cautionary tale, all rolled into one.  He is unable (or unwilling) to consistently
          listen to, or properly understand, his mission.  And yet god-directed events equip him to succeed in a
          radical mission, foreshadowing ‘One to come’.

          In this article I puzzle with its ending, taking some liberties as I recount the story as myth, but finding
          value and depth within it.  As you read, assuming you continue, you may be surprised at times that my
          position is that of a non-theist, albeit one with great respect for the Bible.

          Act one: Jehovah commands Jonah, go preach to the Ninevites, tell them they have forty days to mend
          their  ways,  or  judgement  is  coming.    But  Jonah  opts  out  of  his  prophetic  calling,  takes  ship  in  the
          opposite direction, already suspecting (we learn later) that Jehovah won’t make good his threat against
          Israel’s enemies.  Jehovah whips up a terrible storm.  The ship’s crew cast lots to identify who is to
          blame for their impending doom, which falls upon Jonah, who is discovered asleep during the raging
          storm, confirming their worst fears.  He tells them, Sacrifice me! I deserve it, but you don’t.  Reluctantly,
          they throw him overboard.  The storm abates instantly.  We read that Jehovah has prepared a  ‘great
          fish’,  which  swallows  Jonah  whole.   Literally  from  within  the  belly  of  the  beast,  taught by avoidable
          suffering, Jonah repents.

          Act two: three days and nights after falling into the maw of leviathan, the sea monster vomits him up
          onto  a  beach.    Now  a  revenant  (having  escaped  certain  death)  he  belatedly  fulfils  his  mission,
          prophesising  Nineveh’s  demise,  unless...  The  Ninevites  repent.    Jehovah  shows  compassion,  and
          forgives them.  The reader is nudged to suppose that Jonah’s incredible revenant credentials underlined
          his prophetic message.  A perfect story arc.  Job done?  Not quite.

          It  is  a  universal  storytelling  convention  that  the  beginning  and  ending  (singular)  are  especially
          important, the middle carrying ‘the journey’.  The best stories have strong beginnings, followed by the
          s/hero’s challenge, which is declined or embraced (in this case, both), leading to climactic events and a
          resolution.    When  an  author  breaks  with  convention,  the  reader  will  notice  and  be  invited  to  pay
          especial  attention.    In  sacred  texts,  a  moral  will  be  embedded  in  the  ending.    And  if  there  are  two
          endings? Two morals, in which ‘the last shall be first’.

          Here, it's noteworthy that Jehovah’s spectacular interventions are book-ended by the ‘still small voice’
          of Jonah’s prophetic calling (repeated because he’s not a good listener) and another ‘still small voice’, in
          the form of the rhetorical Q&A.

          Act  three:  Jonah’s  name  means  ‘dove’,  but  he’s  not  feeling  peaceable,  but  hawkish,  livid  even.    He
          stomps up an overlooking hill above Nineveh, perhaps hoping to witness another Sodom and Gomorrah,
          conforming to familiar revelations of Israel’s tribal god, who regularly smote the enemies of his chosen
          people in the Old Testament.  Ninevah was one of the greatest cities of the dominant Assyrian empire,
          making  Ninevites  by  definition  enemies  of  Israel,  ripe  for  smiting,  Jonah  feels.    Although  he  had
          anticipated Jehovah would forgive Israel’s enemies, he is not ready for the seminal revelation of the
          story, ironic since his role is at the core of the narrative.



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