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Selwyn  Birchwood—Exorcist—Alligator  Records—ASIN  :
                                         B0BXYJ9HPW

                                         This album like its predecessor the excellent “Living in a Burning
                                         House’”is  produced  by  Tom  Hambridge  (Buddy  Guy,  Joe
                                         Bonamassa,  Joe  Louis  Walker).  Opener  ‘Done  Cryin’’  is  a

                                         traditional blues with Selwyn’s throaty vocals and Albert King-
                                         style  biting  lead  guitar,  Florida-born  Selwyn  then  takes  a
                                         jaundiced look at his home state with ‘Florida Man’ – “Down
                                         where rebel flags meet Mickey Mouse, down where the Wild

                                         West meets the Dirty South…” This is very much modern blues
                                         - despite Selwyn’s traditional sounding vocals and guitar playing
      influenced by greats like Buddy Guy and Albert Collins - his lyrics reflect current issues and
      trends but delivered with a touch of humour and all wrapped-up in Mr. Hambridge’s very slick
      and polished production.


      The Hendrix-like title track references the blues’ obsession with witchcraft and the swampy
      ‘Horns Below Her Halo’ continues this theme with the lyric “I think Satan must be a woman,
      that’s why they call him Lucif-her”. Despite the title ‘Hopeless Romantic’ is a funky track with
      stabbing  brass  and  skipping  lead  guitar,  while  ‘Plenty  More  to  be  Grateful  For’  is  a  B.B.
      King-style slow blues. ‘Swim At Your Own Risk’ is a stop-time blues with fuzz guitar and ‘Call

      Me What You Want To’ is a very traditional-sounding jump blues with the excellent band locking
      in behind Selwyn.  The band  is Donald Wright or Andrew Gohman (bass), Regi Oliver (sax), Ed
      Krout and Jim McKaba (keyboards) and Byron Garner (drums).

      This is a fine album that demonstrates Selwyn’s excellent vocals and guitar playing and also

      his considerable song-writing talents – all the songs here are originals – as well as a very
      accomplished band and great production from Tom Hambridge.

      Graham Harrison

                                         Various Artists—Delmark 70th Blues Anthology— Delmark

                                         It is very tempting just to leave the image of the record sleeve
                                         and  write  nothing  “a  picture  is  worth  a  thousand  words”  as
                                         someone famous once said. But here are a few words, just the
                                         same.


                                         This one’s a stunner and there is not duff track here:  Big Time
                                         Sarah (Sarah Streeter), Buddy Guy, Dinah Washington, Jimmy
                                         Dawkins, Jimmy Johnson, Junior Wells, Little Walter, Magic Sam,
                                         Memphis Slim, Otis Rush, T-Bone Walker  are here. Some of the
                                         best blues music,  on the label (originally called Delmar) founded
      in 1953, by then 21-year-old college student Bob Koester in St. Louis, Missouri out of a record
      store he owned on Delmar Blvd. In 1958, Koester moved to Chicago and ran the label out of
      the basement of its new record shop, the 'Jazz Record Mart'.

      In 1960, when Koester was threatened with a lawsuit he renamed the label 'Delmark Records'
      From the mid-1960s on, Delmark became a major force on the Chicago scene, as the label
      released  many  albums  by  artists  associated  with  the  Association  for  the  Advancement  of
      Creative Musicians (AACM).
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