Page 54 - BiTS_08_AUGUST_2023
P. 54

you’re  gonna  break  like  a  bullet  busted  from  a  gun,  You’re  a  hurricane,  you’re  cocaine,  a
     fifty-pound powder keg” Durham sings on ‘Powder Keg’.

     The album is replete with despairing references about the gehenna of enforced separation from
     humanity.  Check out ‘Can’t Find No Peace’, ‘Look What It’s All Become’ and ‘Miserable Days’.

     This is pretty close to a masterpiece. I really do hope it gets listened to but I hae-ma-doots.

     Ian K McKenzie




                                         Coco Montoya—Writing On The Wall—Alligator Records


                                         Coco Montoya (born Henry Montoya in Santa Monica, California,
                                         on October 2, 1951)  this guitar ace was encircled by the blues
                                         after hearing Freddie King play live.  Shortly after that,  Montoya
                                         was a drummer and was working at a club in Los Angeles.  The
                                         wonderful Albert Collins was to play there but needed to borrow
                                         a drum kit for his band. Coco’s were the traps of choice. Coco
                                         went to the gig and later wrote “I went down to see his show
                                         that night and it just tore my head off. The thing that I had seen
                                         and felt with Albert King came pouring back on me when I saw

                                         Albert Collins.”  Coco was infected by the blues.

     Soon thereafter, Collins employed Montoya as his drummer, mentoring the latter on guitar in
     down time.  The ‘Master of the Telecaster’ taught him well. Although there were lean periods,
     it was only a matter of time before John Mayall, hearing Coco’s fiery chops, called him for the
     guitar chair in the  Bluesbreakers. Ten years and seven albums later and after life on the road
     with one of the world’s top bands, Coco was ready to lead his own.


     Eleven albums followed and this one makes the twelfth.

     Coco chose to use his road band for this one; keyboard player and songwriter Jeff Paris (Keb’
     Mo’, Bill Withers), bassist Nathan Brown, and drummer Rena Beavers.  The album is replete

     with guests, including the outstanding slide skills of Leroy Parnell ‘A Chip and a Chair’ and some
     stunning axe-work by Ronnie Baker Brooks (son of Lonnie Brooks) on ‘You Got Me’. The result
     is gob-smacking.

     Produced  by  Grammy  Award-winner  Tony  Braunagel  (Bonnie  Raitt,  Taj  Mahal)  and  co-
     produced by Jeff Paris, “Writing On The Wall” is a tour-de-force. Montoya has delivered a set

     of  outstanding tracks. Some with structure and content that make you want to go back time
     and time again.

     This one is IMHO one of the best things Coco has done and I am pretty sure will result in him
     being on the receiving end of awards before too long.

     Ian K McKenzie
   49   50   51   52   53   54   55   56   57