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Mom, an excellent cook, (occasionally hired to cater events), career Royal Bank of Canada teller,
     avid gardener, refinisher of antiques, (where I absorbed a lesson or three) and aficionado of

     music (mostly country) and she loved to dance! Dad, a tradesman electrician, avid sportsman,
     (fishing, hunting, golf, followed hockey and football), a guy who could fix just about anything,
     and the source of my love of nature, Gospel, jazz, blues,  all good music.

     Not  uncommon  for  Dad  &  Mom  to
     polka through the entire 1st floor of
     our     modest       home,       dodging

     appliances and furnishings as deftly
     as they surely would other polkee’s ,
     (hm…is  that  a  word?)  at  the  John
     Deere,  Welland  Works    factory,

     Saturday dance.

     So, yeah, we got the music at home,
     the joy of it, both my sister Suzanne
     (Hiatt/Huard),       and      I   turned
     professional  in  our  early  twenties,

     and  were  always  encouraged  to
     perform  as  a  duo  at  annual  Xmas
     parties;  French  fiddle  music,  step
     dancing,  a  cappella  song,  telling  a
     joke or story, not an exception, but
     the  norm.  All  encouraged  to

     entertain  in  whatever  way  they
     could.  In  hindsight,  it  was  like
     vaudeville school. By doing, failing at times, we learned the value of participation and preparation.
     “So, what did you bring us this year?”

     LL: What genres of music did you listen to growing up and who were your musical heroes.


     RH: Got a bit burnt on country music Mom played constantly, (Ramblin Lou on WKBW, Bf, N.Y.),
     the seed sprouted in me hearing Downchild Blues Band’s 1st LP,  “Straight Up”, purchased at age
     16-ish at Sherks’ Hardware Store in downtown Ridegway, ON.  How that gem ever got distributed
     there’s a mystery, but I fell into it like a comfy chair, though it would be many years later that I
     dared to play harmonica.


     Fair  to  give  Neil  Young’s  ‘Harvest’  its  due.  It  woke  me  up  to  the  power  of  the  confessional
     songwriting style (also James Taylor) which led to wanting to write my own songs. Apparently,
     I had things to confess, and my churchy upbringing made it seem OK, to let fly with all that stuff
     banging around inside. In my latter teens and early twenties, I listened to The Beatles, Stones,
     Hendrix, Cream, then came my discovery of Muddy Waters, Little Walter, Willie Dixon , Fabulous
     Thunderbirds, the beast was totally out of the cage by then.

     LL: You play several different instruments. How and with which instrument did you get
     started?


     RH: Guitar first. Then piano, influenced by Professor Longhair, Pine Top Perkins, Otis Spann,
     then harmonica. It has been a challenge to keep up to speed with them at times, I’m not currently
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