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Guy is supported by Prof. Louis Hurwitz (organ), Christopher James (mandolin, banjo), Mark
     Murphy (bass, cello) and Timothy Hill, David Bernz, Guy’s son Martial Davis, Kheeda Cruik-
     shank and Madeline Grace (backing vocals).  The opening title track, with Guy playing banjo, is
     a jaunty(!) murder ballad about a man his family all knew who killed a woman, ‘Kokomo Alley’
     is  a  more  conventional  country  blues  and  Sam  Chatmon’s  ‘Who’s  Gonna  Love  You  Tonight
     (That’s Alright)’ has Guy singing and playing harp.


     ‘Early in the Morning’ is a lovely original hymn-like song with Hurwitz’s organ and massed
     voices and it’s followed by ‘In the Evening Time’ a melodic gentle blues.  ‘Little David Play on
     Your Harp’ is a gospel song, while ‘Firefly’ is a banjo tune celebrating the ‘lightening bug’ and
     ‘Long Gone Riley Brown’ has Guy playing Sonny Terry-style harmonica.  Guy plays 12-string

     guitar on Leadbelly’s ‘Black Snake Moan’ and ‘Laura’ is a song celebrating his paternal grand-
     mother and we finish with the original lilting melodic song ‘Don’t Know Where I’m Bound’.  As
     a teenager in the 60s I was asked by an older blues enthusiast who my favourite blues singer
     was, when I said it was Leadbelly he said that in fact he wasn’t a blues singer but a songster!
     And I’d have to say that Guy Davis is also a songster – sure he can sing the blues but like
     Leadbelly he also sings lighter more folky songs with the emphasis on entertainment.  I’ve seen
     Guy in a small blues club and he is really excellent live – he starts a British tour in October so
     catch him while you can!


     Graham Harrison




                                             Colin  James—Chasing  the  Sun—Stony  Plain    ASIN  :
                                             B0D6M67FQL


                                             I can’t believe that Canadian guitarist/singer Colin James isn’t
                                             more well-known in both Britain and the US.  For over 30
                                             years he’s been turning out wonderful albums of blues and
                                             roots music and this new one is his 21st. release.  The record
                                             is produced by fellow Canadian guitarist Colin Linden who
                                             also plays second guitar alongside Reese Wynans and Janice
                                             Powers (keyboards) as well as Daryl Jones (bass) and Charlie
                                             Drayton (drums) – both Rolling Stones alumni.



     We start with Colin’s version of Lucinda Williams’ song ‘Protection’ – wonder what Lucinda
     thinks about that? – well she joins Colin on vocals so I guess she’s totally onboard.  ‘I’m Still
     Alive’ is a melodic slow blues with restrained lead guitar and subdued brass and backing vocals,
     while ‘Devilment’ (written by Linden and Canadian harp player Paul Reddick) sees Colin joined
     by harp maestro Charlie Musselwhite – it’s an unusual but very catchy song with both great
     guitar and harp.  Both ‘Crystal Ball’ and ‘How It Feels to Be Loved’ are subtle, melodic ballads in
     the Robert Cray style, with the latter having sax from Jim Hoke. ‘Star Studded Sky’ and ‘Too Far
     Gone’ are also restrained soul ballads with the latter featuring Michael Hicks on Hammond
     organ and Ruby Amanfu on backing vocals.


     ‘In  My  Own  Dream’  is  a  cover  of  an  atypical  Paul  Butterfield  song  that  originally  featured
     mandolin and here becomes kind of psychedelic folk with layered guitars, reminding me of the
     group Pentangle.  We eventually step up the pace for ‘This Song Kills Hate’ a U2-style rocker
     with chiming guitars and a driving rhythm section and by complete contrast ‘Come to Find Out’
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