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‘Til The River No Longer Flows’ has a distinct 1970’s vibe about it bordering on Lynyrd Skynyrd
    territory. There is almost a Doo-Wop feel to ‘Mississippi’ before the album closes with just some
    dissonant piano and vocal on ‘Here To Stay’.


    Whilst everything about this album in terms of instrumentation, lyrics and song production is ok
    it just doesn’t quite work for me. I would label this album as being more Country/Americana
    than Blues. The vocals are not quite convincing and as such don’t quite carry the well worked

    lyrics. To me his deep gruff raspy vocal style doesn’t have that deep richness of say a Johnny Cash
    or indeed the pushing of the boundaries style of Tom Waits but don’t let me put you off, please
    give it a spin.


    Ged Wilson


                                        Alice  Di Micele—Interpretations Vol 1—Alice Otter Music


                                        Alice  Di  Micele  is  a  singer/songwriter/guitarist  originally  from
                                        New Jersey but now based in Oregon and this is her seventeenth
                                        album no less that pays homage to songs and writers that have
                                        inspired her over the years.


                                        The album opens with the Neil Young classic ‘Old Man’ followed
                                        by ‘Give Yourself To Love’ which has a beautiful acoustic guitar
                                        and vocal arrangement. Alice digs into some good old blues on the
                                        Reverend Gary Davis number ‘Death Don’t Have No Mercy’ which
    features some nice organ sounds behind the guitar solos. ‘Over My Head’ features some nice

    pedal steel guitar whilst Tom Petty’s ‘Square One’ gets more of a gentle touch.


    ‘Throw It Away’ has a great jazzy blues vibe featuring some great jazz guitar work from Mimi Fox
    and there are some more bluesy vibes to be had with Grateful Dead’s ‘Sugaree’. Next up is a great
    arrangement of ‘The Hounds Of Winter’ featuring some tasty bass playing which I suppose you
    would expect on a tune by Sting. The album closes bookended by Neil Young songs, with ‘Harvest
    Moon’.


    Despite this album being all cover songs Alice makes them all her own. The arrangements are
    well thought out and keep the listener interested. Alice has a fantastic voice with a great vocal
    range. At times she reminded me of Susanne Vega and at others Bonnie Raitt. There are some
    good blues tunes here but I’m sure our blues listeners will also appreciate the other tunes too, I
    really enjoyed listening to this album so I suggest you give it a spin.


    Ged Wilson
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