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Blues’ (with Paul Jones on harp), and closes with his own Dave Kelly Band favourite, ‘I Am The
    Blues’. He also shows just how good his voice is with a cover of The Temptations’  ‘My Girl’.


    Dave is now an elder statesman of the British blues. This fine album shows why he deserves
    that status.


    Norman Darwen



                                       Diego Mongue Band—While You Were Gone—Independent


                                       Diego — “the latest face of the blues” - is the oldest son of Gina
                                       Coleman, singer and guitarist with Misty Blues; he is the drum-
                                       mer (and sometimes bassist) for Misty Blues too, leader of the
                                       youth blues band Born IV Blues and also has a jazz fusion outfit,
                                       GrossMongue. A busy man then, but all of these are relevant for

                                       this release.


                                       This is certainly a blues set, but it presents a younger take on the
                                       music and there are definite modern jazz influences. Diego plays
    both drums and bass on this set, but what stood out after the first listening was the organ
    sound (two keyboards players are listed so I’m not sure who is actually responsible) right
    from the gospel-inflected tear-‘em-up of the opening instrumental, ‘Intro’ to the closing, funky
    blues of ‘Blues All Day’. It made me think a little of some of the more experimental mid-60s UK
    blues-rooted outfits.


    Mind you, the vocals of Chantell McFarland also leave a very strong impression. She is an
    excellent, flexible singer, able to tackle a bit of jazz scat, gospel flavoured soul or the blues
    straight up. That’s not to say that the guitarists, and especially Diego himself are not impres-
    sive — they are, and this is certainly a band effort.


    It  is  also  a  distinctively  individual  sound,  and  you  don’t  hear  that  too  much  about  blues
    recordings these days. Recommended of course.


    Norman Darwen





                                        Evan Nicole Bell—Runaway Girl—Independent


                                        Wow! Take a listen to ‘Catfish Blues’, maybe inspired by Jimi
                                        Hendrix, but this is gritty blues-rock with a sultry vocal by Evan
                                        Nicole that hits the spot. That won’t surprise anyone though
                                        who  has  heard  the  cover  of  ‘Crosscut  Saw’  which  went  viral
                                        online, by this young African-American singer and multi-instru-
                                        mentalist (she plays all instruments except drums on this debut
                                        release) out of Baltimore, Maryland — or indeed come across
                                        any of her other music.

                                        The other tracks on this EP tend to shift the focus more onto her
    stunning vocals and original songs, drawing both on soul music and blues, plus elements of
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