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SW:  Exactly. No, there were no amps at all. I used the acoustic piano, and the bass player played
     his upright bass. It’s a 100-year-old upright bass and we played together in the living room and
     then we had a very well-known harmonica player in Canada and North America, Harpdog Brown.
     He probably used amps on his harmonica when he was doing his pieces.

                                                                            BiTS:  I don’t count that, an
                                                                            amplified harmonica. That’s still an

                                                                            acoustic instrument.

                                                                            SW:  Yeah, exactly and then the
                                                                            clarinet player. He recorded his
                                                                            clarinet in Philadelphia, so a
                                                                            clarinet wouldn’t have an amp
                                                                            either.


                                                                            BiTS:  How long did all this take to
                                                                            put together?
                                                       Harpdog Brown
                                                                            SW:  From starting writing? I
                                                                            would think I was starting writing
     in August. We recorded in October or November and then to get the pieces - it’s a big job putting
     out an album, Ian, because you have to get all the administration stuff done and the artwork done

     and everything. I’m thinking I received the masters in January, so a couple of months, say. It took a
     couple of months.

     BiTS:  Tell me about some of the songs that are on the album because although there’s going to be
     a lot of stuff from you, in most of the other albums you’ve done, you’ve done some sort of
     traditional blues. Is there one on this?

     SW:  Some traditional blues? I did a Willie Dixon cover song

     called “Home to Mamma”. It’s an old one and it’s about being             Willie Dixon
     sick on the streets and you’re talking to your mom wherever
     she is, kind of thing and I thought that song was relevant to
     record right now for obvious reasons. We have a big homeless
     population here. I’m not sure where you live exactly, but
     homeless people are dealing with a lot of factors right now.

     It’s a traditional blues song and that one’s got some clarinet
     and a trombone player played a little bit on that too. My songs,
     there’s ten original songs, of course, written by myself and
     traditional blues, I guess, yeah, compared to so much other
     stuff that’s out there. It’s not rock blues or anything. I’m an
     older woman now, so there’s one song about some advice to

     younger women about men [chuckles].

     BiTS:  [Laughing] Good for you.

     SW: Yeah, things like that. I mean, I get to write whatever I want [laughing].

     BiTS: Do you have a favourite song on the album?
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