Page 51 - BiTS_08_AUGUST_2024
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Stage’ is a solemn tale that brought to mind the latter works of the great Johnny Cash. The

    album closes with both our lads in fine voice together once again on ‘The Road Of Life’.


    This  album is well produced and that production really brings out a nice clear and simple
    presence to David’s guitar work which underpins the exemplary harmonica work from Johnny
    who is indeed a true master of his craft. Their vocals really work well together and we could
    have the makings of a modern day Sonny Terry and Brownie McGhee, a great acoustic blues

    album please check it out.


    Ged Wilson






                                            Adam Sweet Band—Live At Crescent Records—Indepen-
                                            dent Release


                                            The Adam Sweet Band are from Exeter UK and are well estab-
                                            lished in the south west of England. They are now building a
                                            great  reputation  across  the  wider  British  blues  scene  and
                                            beyond. Their latest release is entitled “Live At The Crescent”.



                                            The album opens with a nice rendition of the Freddie King
                                            classic ‘The Stumble’ and it’s no surprise that there is a hint
                                            of  Clapton  in  the  guitar  work.  ‘Fall  From  Grace’  is  a  self
                                            penned  rock  blues  which  brought  to  mind  Aynsley  Lister.

    Another Adam Sweet tune ‘New Friend’ opens with a nice cool electric piano minor seventh
    vibe that had shades of Steve Roux, really liked this one.


    The Fleetwood Mac classic ‘Green Manalishi’ is swiftly followed by another Peter Green classic
    ‘Oh Well’ which really gets some extra drive from the Hammond organ. The album closes with
    a slow burner ‘Evening’ which has lots of light and shade as you might well expect from a song
    that is over nine minutes long with some hints of Gary Moore in there too.



    Adam’s guitar work is exemplary throughout and his vocals are gentle and soulful, dare I say
    sweet! Paddy Blight and Garry Kroll on bass and drums respectively do a great job of holding
    down  the  rhythm  section  whilst  Thomas  Hughes  really  adds  value  on  keys  especially  on
    ‘Evening’ and his lush Hammond on ‘The Stumble’ a joy to behold.


    As the album title is ‘Live At The Crescent’ I was expecting this to be a gig recording but this is

    more of a live take in the studio and as such I feel it just loses that bit of dynamism. Nonetheless
    this is still top class rock blues from a band that is going places, go check them out.


    Ged Wilson
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